BONESMITH

Take a dash of The Walking Dead, a soupçon of Game of Thrones, and mix in a ’90s goth.

In the Dominions, smithing makes and breaks nations. Long extinct ghostsmiths raised the dead, recently eradicated ironsmiths mined too deeply and rediscovered those undead revenants, and in the wake of that cataclysm, the bonesmiths, who utilize dead bone to fight the dead, rose. Impetuous Wren, an heir to the House of Bone, makes bad decisions in hopes of holding her father’s attention. As a result, she’s exiled to the Border Wall that holds back the dead—only to make another bad decision and take off without support to rescue a kidnapped prince. Ending up reluctantly allied with (not-so-extinct) ironsmith Julian, Wren becomes wiser and more moderate through the adventure and the tentative slow-growth friendship they share. Julian is also a teen with deep-seated family issues. Their journey uncovers new plots and players in the power dynamics of the Dominions, mostly revealed late in the game and making this feel almost like an extended prologue for the next volume. An overabundance of exposition alongside a lack of nuance in Wren’s characterization don’t do the story any favors, but eventually the original elements pull ahead. This, combined with the lack of resolution, means readers who make it past the slow start will be left with questions that can only be answered by the subsequent volume. Characters are diverse in appearance; race seems immaterial in this world.

Neither spectacular nor unbearable.