Cornick takes a little-known historical figure, Mary Seymour, and crafts a creative and layered narrative around her life...
A young woman from Elizabethan England becomes trapped in the present in Cornick’s (House of Shadows, 2017, etc.) historical fantasy.
Though she looks like hundreds of other London professionals, Alison Bannister is not like other women. Originally born and raised more than four centuries ago, she accidentally found her way through time when she was trying to escape the aftermath of a scandalous love affair. At first, she could move back and forth with ease, but then, just when she was planning to bring her illegitimate child from the past into the future, she was crushed to discover that she could no longer find her way back to the 1500s. For 10 years she created a 21st-century life for herself, but she continues to mourn for her lost child and to look for ways to travel back through time. When she stumbles across a painting that is being touted as a newly discovered portrait of Anne Boleyn, she recognizes that the portrait’s subject is in fact Mary Seymour, daughter of Queen Katherine Parr and the traitor Thomas Seymour. She and Mary had spent time together at Wolf Hall in the past, and when Alison left, she made Mary promise to find out the whereabouts of her son and leave her a message. The portrait clearly contains the information she seeks, but how will she convince Adam, her ex-boyfriend and the “authenticator” of the painting, that he has the wrong subject—and that she needs his help for a seemingly impossible quest? Cornick alternates chapters between Alison’s perspective in the present day and Mary’s voice from the 1500s. The lessons learned are somewhat trite and the romance a bit generic, but the original premise keeps the reader guessing.
Cornick takes a little-known historical figure, Mary Seymour, and crafts a creative and layered narrative around her life and times.Pub Date: Aug. 21, 2018
ISBN: 978-1-525-80599-8
Page Count: 384
Publisher: Graydon House
Review Posted Online: June 17, 2018
Kirkus Reviews Issue: July 1, 2018
An elegant, pithy performance by a first-time novelist who couldn’t seem more familiar with his characters or territory.
Manhattan in the late 1930s is the setting for this saga of a bright, attractive and ambitious young woman whose relationships with her insecure roommate and the privileged Adonis they meet in a jazz club are never the same after an auto accident.
Towles' buzzed-about first novel is an affectionate return to the post–Jazz Age years, and the literary style that grew out of it (though seasoned with expletives). Brooklyn girl Katey Kontent and her boardinghouse mate, Midwestern beauty Eve Ross, are expert flirts who become an instant, inseparable threesome with mysterious young banker Tinker Grey. With him, they hit all the hot nightspots and consume much alcohol. After a milk truck mauls his roadster with the women in it, permanently scarring Eve, the guilt-ridden Tinker devotes himself to her, though he and she both know he has stronger feelings for Katey. Strong-willed Katey works her way up the career ladder, from secretarial job on Wall Street to publisher’s assistant at Condé Nast, forging friendships with society types and not allowing social niceties to stand in her way. Eve and Tinker grow apart, and then Kate, belatedly seeing Tinker for what he is, sadly gives up on him. Named after George Washington's book of moral and social codes, this novel documents with breezy intelligence and impeccable reserve the machinations of wealth and power at an historical moment that in some ways seems not so different from the current one. Tinker, echoing Gatsby, is permanently adrift. The novel is a bit light on plot, relying perhaps too much on description. But the characters are beautifully drawn, the dialogue is sharp and Towles avoids the period nostalgia and sentimentality to which a lesser writer might succumb.
An elegant, pithy performance by a first-time novelist who couldn’t seem more familiar with his characters or territory.Pub Date: July 25, 2011
ISBN: 978-0-670-02269-4
Page Count: 352
Publisher: Viking
Review Posted Online: May 19, 2011
Kirkus Reviews Issue: June 1, 2011
BOOK REVIEW
BOOK REVIEW
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...
An unlikely love story set amid the horrors of a Nazi death camp.
Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-279715-5
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
BOOK REVIEW
BOOK REVIEW
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