Taut and heartwarming.
A boy rescues an albatross after it is hooked by a fishing line.
Javier is out at sea with his fisherman father, Tomas, and Uncle Felipe, helping with the fishing lines, when he sees an albatross has become hooked. Uncle Felipe unhooks the bird and throws it onto a corner of the boat, ignoring it. But Javier sneaks the still-alive bird into the boat’s hold and later, when they reach their home port, hides the bird in the storeroom behind the house. Caring for the bird with the help of neighbors, Javier hopes to have the bird healed by the time he goes back out to sea in two weeks. But he comes home one day to discover that his father, having found out about the bird, has sold it to a fairground manager. Javier’s already-tenuous relationship with his father since the death of his mother boils over. Javier finds the bird and runs off with her to the cliff’s edge, reckless of his own safety, as he is determined to convince the bird to fly away. The assured storytelling has a crispness that feels fresh and immediate, and the colorful illustrations echo this immediacy and confidence in their spontaneous-looking execution. All human characters are illustrated with beige skin and dark hair and eyes, and the honorifics (Señor, Señora, Señorita) probably indicate, due to albatross range, a South American setting.
Taut and heartwarming. (author's note) (Picture book. 5-9)Pub Date: July 13, 2021
ISBN: 978-1-5362-1284-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: May 4, 2021
Kirkus Reviews Issue: May 15, 2021
A welcome, well-researched reflection of cultural pride in the early-reader landscape.
The fourth installment in Delacre’s early-reader series centers on the rich musical traditions of Puerto Rico, once again featuring sibling tree frogs Rafi and Rosi Coquí.
Readers learn along with Rafi and Rosi as they explore bomba, plena, and salsa in three chapters. A glossary at the beginning sets readers up well to understand the Spanish vocabulary, including accurate phoneticization for non-Spanish speakers. The stories focus on Rafi and Rosi’s relationship within a musical context. For example, in one chapter Rafi finds out that he attracts a larger audience playing his homemade güiro with Rosi’s help even though he initially excluded her: “Big brothers only.” Even when he makes mistakes, as the older brother, Rafi consoles Rosi when she is embarrassed or angry at him. In each instance, their shared joy for music and dance ultimately shines through any upsets—a valuable reflection of unity. Informational backmatter and author’s sources are extensive. Undoubtedly these will help teachers, librarians, and parents to develop Puerto Rican cultural programs, curriculum, or home activities to extend young readers’ learning. The inclusion of instructions to make one’s own homemade güiro is a thoughtful addition. The Spanish translation, also by Delacre and published simultaneously, will require a more advanced reader than the English one to recognize and comprehend contractions (“pa’bajo-pa-pa’rriba”) and relatively sophisticated vocabulary.
A welcome, well-researched reflection of cultural pride in the early-reader landscape. (Early reader. 7-9)Pub Date: Sept. 17, 2019
ISBN: 978-0-89239-429-6
Page Count: 64
Publisher: Children's Book Press
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Aug. 15, 2019
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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