REGRET NOT A MOMENT

Passionate romance, spanning three continents and three decades but remaining unquenched, by first-time novelist McGehee. In 1930, beautiful horsewoman Devon Richmond, wealthy daughter of Virginia's landed gentry, is 25, unmarried, and boldly outspoken; her parents fear she'll be an old maid—until handsome, dashing John Alexander arrives on a visit from New York; the two fall passionately in love and marry. But fissures develop between them almost immediately: His business is in New York, her horses are in Virginia; he has a history of philandering, she thinks he may still philander; she wants and child, and he fears fatherhood. When a daughter is born, they drift apart; when the daughter dies in a riding accident, they divorce. Flash forward to 1942, when Devon, remarried to a British lord stationed for the war in Cairo, learns that John is wounded; she flies to Geneva and finds her photograph on the table next to the bed where his leg has been amputated. But he'll survive. Now it's 1957, and Devon is raising a daughter by her second marriage, Francesca, in New York society and in Virginia, where Devon runs a thriving business breeding Thoroughbreds. Reenter John Alexander, whom Francesca meets without knowing who he is in Tiffany's and brings home to Devon. They become friends—though secretly still yearn feverishly for each other. When Francesca begs her mother to be allowed to train as a jockey, John advocates her cause; and when Devon joins her black trainer in defying the Ku Klux Klan in a midnight raid on the farm, John is bowled over with admiration. They remarry in early old age; they ``regret not a moment'' of their lives. Readers won't regret a few hours spent with this amiable romance—especially if they spend them at the beach.

Pub Date: May 3, 1993

ISBN: 0-316-55853-2

Page Count: 432

Publisher: Little, Brown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 1, 1993

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An enjoyable, cozy novel that touches on tough topics.

THE AUTHENTICITY PROJECT

A group of strangers who live near each other in London become fast friends after writing their deepest secrets in a shared notebook.

Julian Jessop, a septuagenarian artist, is bone-crushingly lonely when he starts “The Authenticity Project”—as he titles a slim green notebook—and begins its first handwritten entry questioning how well people know each other in his tiny corner of London. After 15 years on his own mourning the loss of his beloved wife, he begins the project with the aim that whoever finds the little volume when he leaves it in a cafe will share their true self with their own entry and then pass the volume on to a stranger. The second person to share their inner selves in the notebook’s pages is Monica, 37, owner of a failing cafe and a former corporate lawyer who desperately wants to have a baby. From there the story unfolds, as the volume travels to Thailand and back to London, seemingly destined to fall only into the hands of people—an alcoholic drug addict, an Australian tourist, a social media influencer/new mother, etc.—who already live clustered together geographically. This is a glossy tale where difficulties and addictions appear and are overcome, where lies are told and then forgiven, where love is sought and found, and where truths, once spoken, can set you free. Secondary characters, including an interracial gay couple, appear with their own nuanced parts in the story. The message is strong, urging readers to get off their smartphones and social media and live in the real, authentic world—no chain stores or brands allowed here—making friends and forming a real-life community and support network. And is that really a bad thing?

An enjoyable, cozy novel that touches on tough topics.

Pub Date: Feb. 4, 2020

ISBN: 978-1-9848-7861-8

Page Count: 368

Publisher: Pamela Dorman/Viking

Review Posted Online: Oct. 27, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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A strict report, worthy of sympathy.

THE CATCHER IN THE RYE

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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