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PRICELESS

A clichéd fairy tale, about as original as the TV movie it will inevitably become.

Another riches-to-rags-to-riches tales from celebutante author Richie.

After tapping the seedier side of her personal life, Richie (The Truth About Diamonds, 2005) composes another avatar for herself, a spoiled heiress digging deep in a time of crisis. Charlotte Williams is a 22-year-old princess living the high life in New York City, thanks to the largesse of her father Jacob, a Wall Street tycoon. Charlotte’s other inheritance, her looks, come from her late mother, a legendary supermodel who was killed in a car wreck. Her introduction is painfully formulaic. Here’s Charlotte clubbing; gossiping with her catty girlfriends; and shopping, shopping, shopping as the author drops designer names like they paid for product placements. Tragedy strikes when father Jacob is arrested by the FBI and charged with embezzlement in a ripped-from-the-headlines case of fraud. Before long, Charlotte is assaulted by a stranger and starts receiving death threats by telephone. She doesn’t have resources to fall back on, because her $10 million trust fund has been frozen by the Feds, forcing her to (gasp) pawn her jewelry collection. “She realized if she was going to get out of this situation, she was going to have to be resourceful,” Richie writes. “Creative. Bold. But first? Shopping.” Fortunately, the narrative picks up a little when Charlotte flees the city to stay with Millie Pearl, her former nanny, in New Orleans. There Charlotte meets a pair of kindred spirits in Kat Karraby, a lesbian force of nature who manages a hot vintage-clothing store, and Jackson Pearl, Millie’s handsome son who introduces the debutante to the earthier side of society. Richie still manages to add both glam and friction to this latter section, guilelessly as ever. Naturally, Charlotte instantly becomes a famous singing star when Kat puts her performance on YouTube, while her creepy stalker continues to circle his noose around the rising diva.

A clichéd fairy tale, about as original as the TV movie it will inevitably become.

Pub Date: Sept. 28, 2010

ISBN: 978-1-4391-9690-8

Page Count: 288

Publisher: Atria

Review Posted Online: July 13, 2010

Kirkus Reviews Issue: Aug. 1, 2010

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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