No serious insight into how governing works, but an enjoyably gossipy dishing of Inside-the-Beltway residents of all...

EIGHTEEN ACRES

Given Wallace’s previous gigs as G.W. Bush’s communications director and an advisor to the McCain-Palin ticket, it is impossible to read her first novel about the tribulations of the country’s first woman president without trying to glean factual nuggets from the often-transparent fiction.

Moderate Republican Charlotte Kramer, 45th president of the United States, heads into her re-election campaign struggling with the troubled economy and war in Afghanistan left by her (Republican) predecessor and beset by criticism that she’s too cool and unemotional—aside from being female, white and Republican, she sounds a lot like Barack Obama. Chief of staff Melanie Kingston, who is burned out after 15 years in the White House, learns from her media source that Charlotte may be about to face a sex scandal on top of her governing issues. The truth that Charlotte already knows but doesn’t want to share with Melanie is that her husband Peter is the one having an affair, with White House correspondent and weekend anchor Dale Smith. The presidential marriage has been a sham for years since Charlotte began putting her career before Peter and their children (cardboard characters conveniently tucked away at boarding school). When Charlotte comes under sniper attack in Afghanistan, her Secretary of Defense Roger Taylor—whose devotion is barely platonic—saves her life by switching helicopters with the press, causing Dale serious injury. Wracked by guilt, Charlotte drops everything to sit by Dale’s bedside until she’s well enough to travel. Charlotte fires Roger and acknowledges Peter and Dale’s relationship in what turns into a PR coup. Then her trusty vice-president drops off the ticket so she can replace him with the crude, despicable Tara Meyers, a conservative Democrat with no experience but vaulting ambition; fashionista Melanie’s antipathy toward Tara comes across largely in her disdain for Tara’s clothes. Meanwhile go-getting Dale recovers under Peter’s care only to go to work for Tara. The poor men in this novel are such pushovers.

No serious insight into how governing works, but an enjoyably gossipy dishing of Inside-the-Beltway residents of all persuasions.

Pub Date: Oct. 19, 2010

ISBN: 978-1-4391-9482-9

Page Count: 272

Publisher: Atria

Review Posted Online: July 27, 2010

Kirkus Reviews Issue: Aug. 15, 2010

Did you like this book?

No Comments Yet

LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 15, 1996

Did you like this book?

No Comments Yet

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Reader Votes

  • Readers Vote
  • 39

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2020

  • New York Times Bestseller

  • IndieBound Bestseller

THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

Did you like this book?

more