MADAM PRESIDENT

Name: MADAM PRESIDENT
Author: Nicole Wallace
ISBN: 978-1-4767-5689-9

by Nicole Wallace ‧ RELEASE DATE: April 28, 2015

The balance is off here, Wallace’s comic gifts wasted. What felt frothy and fun in the first books turn leaden when a...

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In this sequel to Eighteen Acres (2010) and It’s Classified (2011), her political romps about America’s fictional first woman president, political insider and The View co-host Wallace goes darker but not deeper, centering her story on the White House reaction to a major terrorist attack on American soil.

The novel opens shortly after bombs have been detonated in five American cities, including Washington D.C., causing an unknown but probably high number of casualties. Moderate Republican Charlotte Kramer faces this crisis well into her second term as the country’s 45th president. She and husband Peter have reconciled. She has even hired his former mistress, Dale, as her press secretary. Charlotte’s former chief of staff, Melanie, is now secretary of defense; she's on a visit to still–war-torn Iraq. Once the bombings are confirmed, meetings follow press statements that follow meetings on how to handle the press and how to address the public. There are arguments by Melanie (seemingly as a stand-in for the author) for military readiness, revenge, and "enhanced interrogation," as well as a behind-the-scenes look at internal White House politics, all clearly drawn from the author’s experience as communications director for President George W. Bush. Meanwhile, despite the crisis, Charlotte, Dale, and Melanie each deal with their own personal issues. Charlotte obsesses about the flaws in her marriage. Secretly 20 weeks pregnant, Melanie wonders how she’ll balance motherhood with her career and worries about being cut from Charlotte’s inner circle. Dale is in a new relationship with Melanie’s close friend Warren, a saintly war veteran now serving as a political consultant to Charlotte, but she worries that he's more committed than she is, partly because she’s not completely over Peter; word of the bombings interrupts their attempt to rendezvous.

The balance is off here, Wallace’s comic gifts wasted. What felt frothy and fun in the first books turn leaden when a national tragedy is less important than who slept with or back-stabbed whom.

Pub Date: April 28, 2015

ISBN: 978-1-4767-5689-9

Page Count: 352

Publisher: Emily Bestler/Atria

Review Posted Online: March 4, 2015

Kirkus Reviews Issue: March 15, 2015

Categories:

GENERAL FICTION

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SUMMER ISLAND

by Kristin Hannah ‧ RELEASE DATE: March 1, 2001

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

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Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

Categories:

GENERAL FICTION

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LAST ORDERS

by Graham Swift ‧ RELEASE DATE: April 5, 1996

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Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.