A spirited but uneven volume of poems about romance.
A debut collection of poetry explores the many flavors of love.
Almost everyone can relate to the confusing cocktail of excitement and pain that comes from romance. As Toth writes in one poem, “my emotions; broken glass / my tears; liquid fire.” Such is the pitch of this volume of verse, which documents some of the many impulses and aggravations inspired by heartache. The book is divided into three sections: the Sour, the Savory, and the Sweet. Each comes with its own pleasures and dissatisfactions. The ironically named “happy” is found in the Sour section: “bullets / you fired at me / struck / just how you wanted them / right through / my heart / and it gave me a sense / of lust.” A few pages later comes the one-line “cycle of love”: “create then destroy.” The Savory section includes the economical “jealous”: “love is endless / and infectious / love; / restless / and out of all people / it made you jealous.” The poems in the Sweet portion strike a more conciliatory tone. The grateful narrator of “universe” admits “you found a place for me even / if i didn’t know i had one / thank you.” The next poem—titled just with a smiling emoticon, “:))))”—is as begrudgingly earnest as it is self-aware: “if it’s cliché / i don’t wanna hear it / but i love you.” The teenage author comes from the Rupi Kaur school of poetry. She writes in free verse, generally without punctuation or capitalization, giving the poems the feel of dashed off social media posts. They tend not to make an argument so much as simply offer an image or feeling—and often one without much complexity. The first poem, “he’s evil,” reads in its entirety: “his lips are sour / and his spiky hair / made from knifes / that cut deep into her soul / and he left his mark.” The poems are accompanied by simple, uncredited, hand-drawn illustrations: a sun, a bolt of lightning, a hand holding a rose. Toth succeeds in communicating the rawness of love and anger. But even within the world of Instagram poetry, there are books that display a bit more craft.
A spirited but uneven volume of poems about romance.Pub Date: N/A
ISBN: 978-1-72832-252-0
Page Count: 117
Publisher: AuthorHouse
Review Posted Online: Jan. 12, 2020
Review Program: Kirkus Indie
Therapeutic, moving verse from a promising new talent.
Keridan’s poetry testifies to the pain of love and loss—and to the possibility of healing in the aftermath.
The literary critic Geoffrey Hartman once wrote that literature—and poetry, in particular—can help us “read the wound” of trauma. That is, it can allow one to express and explain one’s deepest hurts when everyday language fails. Keridan appears to have a similar understanding of poetry. She writes in “Foreword,” the opening work of her debut collection, that “pain frequently uses words as an escape route / (oh, how I know).” Many words—and a great deal of pain—escape in this volume, but the result is healing: “the ending is happy / the beginning was horrific / so let’s start there.” The book, then, tracks the process of recovery in the wake of suffering, and often, this suffering is brought on by romantic relationships gone wrong. An early untitled poem opens, “I die a little / taking pieces of me to feed the fire / that keeps him warm / you don’t notice that it’s a slow death / when you’re disappearing little by little.” The author’s imagery here—of the self fueling the dying fire of love—is simultaneously subtle and wrenching. But the poem’s message, amplified elsewhere in the book, is clear: We go wrong if we destructively give ourselves over to others, and healing comes only when we turn our energies back to our own good. Later poems, therefore, reveal that self-definition often equals strength. The process is painful but salutary; when “you’re left unprotected / surrounded by chaos with nothing you / can depend on / except yourself / and that’s when you gather the pieces / of the life you lost / and use them to build the life you want.” The “life you want” is an elusive goal, and the author knows that the path to self-definition is fraught with peril—but her collection may give strength to those who walk it.
Therapeutic, moving verse from a promising new talent.Pub Date: Nov. 2, 2018
ISBN: 978-1-72770-538-6
Page Count: 196
Publisher: CreateSpace
Review Posted Online: Jan. 9, 2019
Kirkus Reviews Issue: Feb. 15, 2019
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Downbeat but often engaging poems and stories.
A slim volume of largely gay-themed writings with pessimistic overtones.
Poe (Simple Simon, 2013, etc.) divides this collection of six short stories and 34 poems into five sections: “Art,” “Death,” “Relationship,” “Being,” and “Reflection.” Significantly, a figurative death at the age of 7 appears in two different poems, in which the author uses the phrase “a pretended life” to refer to the idea of hiding one’s true nature and performing socially enforced gender roles. This is a well-worn trope, but it will be powerful and resonant for many who have struggled with a stigmatized identity. In a similar vein, “Imaginary Tom” presents the remnants of a faded relationship: “Now we are imaginary friends, different in each other’s thoughts, / I the burden you seek to discard, / you the lover I created from the mist of longing.” Once in a while, short story passages practically leap off of the page, such as this evocative description of a seedy establishment in Lincoln, Nebraska: “It was a dimly lit bar that smelled of rodent piss, with barstools that danced on uneven legs and made the patrons wonder if they were drunker than they thought.” In “Valéry’s Ride,” Poe examines the familial duties that often fall to unmarried and childless people, keeping them from forming meaningful bonds with others. In this story, after the double whammy of Hurricanes Katrina and Rita hits Louisiana, Valéry’s extended family needs him more than ever; readers will likely root for the gay protagonist as he makes the difficult decision to strike out on his own. Not all of Poe’s main characters are gay; the heterosexual title character in “Mrs. Calumet’s Workspace,” for instance, pursues employment in order to escape the confines of her home and a passionless marriage. Working as a bookkeeper, she attempts to carve out a space for herself, symbolized by changes in her work area. Still, this story echoes the recurring theme of lives unlived due to forces often beyond one’s control.
Downbeat but often engaging poems and stories.Pub Date: Nov. 16, 2015
ISBN: 978-1-5168-3693-2
Page Count: 120
Publisher: CreateSpace
Review Posted Online: March 5, 2016
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
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