A lovely and poetic recasting of the Biblical creation story in a modern spirit, from the versatile Grimes (My Man Blue, p. 721, etc.). Father and son create together, beginning “Once upon a time there was no time.” There are whimsical touches, e.g., the father calls the waters seas because he likes the sound of it; the stars are made of the son’s laughter, and some of them are angels in disguise. Adam and Eve appear in shimmering silhouette, and the final view of the earth echoes the glorious photographs taken from space. Morin’s illustrations make use of fabulous textures in paint and fabric; his dense collages in their dark jeweled colors include shells, beads, and needlework. Other contemporary creation stories, such as Julius Lester’s What a Truly Cool World and Caitl°n Matthews’s The Blessing Seed (both, 1998) could be used with this one for a tender trilogy. (Picture book. 4-8)
Pub Date: Nov. 1, 1999
ISBN: 0-8028-5104-5
Page Count: 32
Publisher: Eerdmans
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1999
A resonant, evocative tale about a lonely woman and the child of the sea who becomes her dearest companion. Mariana, an old woman, lives by the sea that is a mother to her, providing her with food for the table, driftwood for her fire, and music for her soul. But she is lonely, for the village children mock her and run away. One day after a wild storm when the sea-wolves prowl, she finds a crab shell; within it is a tiny merchild, with pearly skin and hair “the color of the setting sun.” Mariana, at the advice of the Wise Woman, places the merbaby where her mother, the Sea Spirit, can see she is safe; every day the Sea Spirit comes to feed her daughter and to teach her. Mariana cares for her the rest of the time, even though she knows the merchild must eventually return to the sea. The village children come to play with the merchild, and warm to Mariana. When the merchild does finally rejoin her mother, she returns daily to Mariana with gifts and greetings. Conveyed in the emotionally rich telling are the rhythm of waves, filial devotion, the loving care of children, and the knowledge of beasts. The beautiful illustrations are full of the laps and curves of the ocean, the brilliant colors of sea and sky, and the gorgeous reds and dusky browns of fabric, interiors, skin tones, and shells. (Picture book/folklore. 4-8)
Pub Date: March 1, 2000
ISBN: 0-8028-5204-1
Page Count: 32
Publisher: Eerdmans
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1999
Wee folk star in a book of prankish poetry that celebrates the mischief and mere presence of inch-high magical and supernatural creatures. An illustrated table of contents introduces 17 poems and defines the fairy folk featured within. A leshy can be small as a blade of grass, a pixie wears green and changes size, a hobgoblin is fond of practical jokes, a spriggan is something of a bodyguard for fairies. Familiar and unknown poems are collected here, from classics such as Rachel Field’s “The Pointed People,” to contemporary entries by Kristine O’Connell George and Evans herself. The tone of the whole varies from page to page, as the more flowery, rhyming verse coexists with catchier entries such as “A Gnome Poem,” containing images of a gnome snuggled under a New Jersey map and on a mousepad or a stowaway troll in “Backpack Trouble.” Green, leafy artwork surrounds these magical folk in airy and woodsy settings, casting them as playful, curious, and cuddly. (Picture book/poetry. 5-8)
Pub Date: Feb. 1, 2000
ISBN: 0-689-82352-5
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1999
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