by Nikki Grimes ‧ RELEASE DATE: Sept. 1, 2005
The strength of the poetry along with this assumption that religion and a relationship with God are an integral part of life...
Grimes contrasts the Biblical story of Abraham’s son Ishmael with present day Samuel’s trying to cope with divorce and his father’s remarriage.
Conveyed almost entirely in prose poems, the work gives deeper meaning to both stories. A few quotes from Hammurabi’s Code, which preface some sections, provide needed context. Both sons focus first on their mothers. Ishmael’s mother is a slave, and the jealousy of Abraham’s wife makes their life difficult. The arrival of Isaac, the natural son in ancient times and of David, a biracial child in the present, gives a clear picture of the universality over time of sons wanting to be first in their father’s lives regardless of circumstances, as well as the charm of new babies. Grimes allows Samuel to find some peace, ably assisted by both of the women in his family, but Ishmael and his mother head into the desert, leaving Abraham behind completely. Three major religions derive from Abraham’s seed, giving this impact for many people of faith.
The strength of the poetry along with this assumption that religion and a relationship with God are an integral part of life distinguishes and illuminates the narrative. (Fiction. YA)Pub Date: Sept. 1, 2005
ISBN: 0-7868-1888-3
Page Count: 160
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2005
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by Erica Silverman ‧ RELEASE DATE: March 2, 1999
Silverman (The Halloween House, 1997, etc.) tells of Raisel, an orphan girl who is raised by her scholarly grandfather until his death; three wishes from an old beggar woman allow Raisel to attend the Purim play dressed as Queen Esther, where she captures the attention of the rabbi’s son. It is her clever riddle about the precious nature of learning, however, that eventually wins his heart. Carefully crafted, this story not only entertains, but it teaches readers about the Jewish holiday, Purim, Queen Esther, and the tradition of costumed re-enactment. Unlike a majority of the other versions of the Cinderella story, this one does not include a self-absorbed prince who combs the countryside looking for a bride of a particular shoe size; refreshingly, Silverman’s hero is as intelligent as he is handsome, and seeks a bride who is his equal. Graber’s illustrations are the perfectly complement, embodying Raisel’s transformation from a life of servitude to one of riches “more precious than rubies.” (Picture book. 5-8)
Pub Date: March 2, 1999
ISBN: 0-374-36168-1
Page Count: 40
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1999
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by Charlotte Herman ‧ RELEASE DATE: March 1, 1999
This lovely story of tradition and family security has moments both gentle and funny, and a recipe for the main dish. Yussel loves Shabbos. On that day of peace, his parents don’t work and they all visit with friends and relatives or go to the park. Yussel’s favorite part is the meal of special round balls of gefilte fish. Every week, Papa rises early to catch the strange fish, and every week, Yussel yearns to go with him. One morning, Yussel’s wish comes true. Through a tender day at the lake with Papa, Yussel learns exactly what a gefilte fish is. His trip and his ultimate contributions to the family ritual are enhanced by Krenina’s fanciful illustrations; these evoke both the excitement of landing the fish and the warm gathering of family that night at sunset. (glossary) (Picture book. 4-7)
Pub Date: March 1, 1999
ISBN: 0-525-45449-7
Page Count: 32
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1999
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