“Sanctuary” springs from the Latin sanctus, or holy—and the Tates have kept that well in mind.
Once you start thinking of your home as a sanctuary, then your ingenuity can run pretty wild, as seen in this global tour of dwellings.
People find habitation pretty much anywhere, from scrap tin and wood to a sizable piece of cardboard. But destitution is not the Tates’ point. It is to show how people have used the materials at their disposal to fashion creative and wildly diverse dwellings not as a matter of last resort but as a matter of snugness, a place that provides a sense of comfort and security. The photographs are key: They convey a sense of place, evoking places where readers could imagine unfurling their bedrolls. The Tates moved about a great deal as kids, living in over 50 places by high school, so they have seen their share of different homes. But here, they get into some good and curious abodes: castles to yurts to igloos, Japanese capsule hotels (not for the claustrophobic), long houses and treehouses, wagons to teepees, and lots of caves and underground sites, including abandoned opal mines and storm drains. The supplementary text provides setting and logistical peculiarities, but more than that, it provides anecdotes about the homes, from the beautiful designs on the vardos (Romany caravans) to the cave complex used as sanctuary by Jewish refugees from the Nazis.
“Sanctuary” springs from the Latin sanctus, or holy—and the Tates have kept that well in mind. (Nonfiction. 8-12)Pub Date: Oct. 1, 2014
ISBN: 978-1-4598-0742-6
Page Count: 48
Publisher: Orca
Review Posted Online: Aug. 11, 2014
Kirkus Reviews Issue: Sept. 1, 2014
An inspirational exploration of caring among parent, teacher and child—one of Grimes’ best. (Poetry. 8-12)
In this delightfully spare narrative in verse, Coretta Scott King Award–winning Grimes examines a marriage’s end from the perspective of a child.
Set mostly in the wake of her father’s departure, only-child Gabby reveals with moving clarity in these short first-person poems the hardship she faces relocating with her mother and negotiating the further loss of a good friend while trying to adjust to a new school. Gabby has always been something of a dreamer, but when she begins study in her new class, she finds her thoughts straying even more. She admits: “Some words / sit still on the page / holding a story steady. / … / But other words have wings / that wake my daydreams. / They … / tickle my imagination, / and carry my thoughts away.” To illustrate Gabby’s inner wanderings, Grimes’ narrative breaks from the present into episodic bursts of vivid poetic reminiscence. Luckily, Gabby’s new teacher recognizes this inability to focus to be a coping mechanism and devises a daily activity designed to harness daydreaming’s creativity with a remarkably positive result for both Gabby and the entire class. Throughout this finely wrought narrative, Grimes’ free verse is tight, with perfect breaks of line and effortless shifts from reality to dream states and back.
An inspirational exploration of caring among parent, teacher and child—one of Grimes’ best. (Poetry. 8-12)Pub Date: Sept. 1, 2013
ISBN: 978-1-59078-985-8
Page Count: 96
Publisher: Wordsong/Boyds Mills
Review Posted Online: July 16, 2013
Kirkus Reviews Issue: Aug. 1, 2013
Nellie Bly’s contemporary namesake does her proud.
Eleven-year-old Nellie’s investigative reporting leads her to solve a mystery, start a newspaper, and learn key lessons about growing up.
Nellie’s voice is frank and often funny—and always full of information about newspapers. She tells readers of the first meeting of her newspaper club and then says, “But maybe I’m burying the lede…what Dad calls it when a reporter puts the most interesting part…in the middle or toward the end.” (This and other journalism vocabulary is formally defined in a closing glossary.) She backtracks to earlier that summer, when she and her mother were newly moved into a house next to her mother’s best friend in rural Bear Creek, Maine. Nellie explains that the newspaper that employed both of her parents in “the city” had folded soon after her father left for business in Asia. When Bear Creek Park gets closed due to mysterious, petty crimes, Nellie feels compelled to investigate. She feels closest to her dad when on the park’s swings, and she is more comfortable interviewing adults than befriending peers. Getting to know a plethora of characters through Nellie’s eyes is as much fun as watching Nellie blossom. Although astute readers will have guessed the park’s vandalizers, they are rewarded by observing Nellie’s fact-checking process. A late revelation about Nellie’s father does not significantly detract from this fully realized story of a young girl adjusting admirably to new circumstances. Nellie and her mother present white; secondary characters are diverse.
Nellie Bly’s contemporary namesake does her proud. (Fiction. 8-12)Pub Date: March 10, 2020
ISBN: 978-0-7624-9685-3
Page Count: 208
Publisher: Running Press
Review Posted Online: Nov. 23, 2019
Kirkus Reviews Issue: Dec. 15, 2019
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