A cute romance featuring a heroine who never before got to feel cute.
An Australian teen embarks on romance in the wake of her parents’ divorce.
Natalie never knew anything was wrong with her parents’ marriage, let alone that they were on their way to divorce. But here it is, Christmas Day, and Natalie’s parents have sat her down and told her the honest truth: Their family is no more. Dad’s moving out, Mum is selling the house, and Natalie will be on her own, off to university. She does her best to move forward, supported by best friends Zach and Lucy and buoyed by flirty exchanges with Zach’s sexy older brother, Alex. Alex and Natalie’s romantic involvement unfolds in a way that may feel familiar, but what sets this novel apart is the courage this requires on Natalie’s part. Natalie’s early adolescence involved extremely heavy periods and cystic acne on her face and body that caused physical and emotional pain and left scars. The constant anxiety this caused led her to avoid leaving the house and invited unsolicited advice from peers and harassment from strangers. Natalie’s struggles with internalized self-hatred as well as knee-jerk judgment toward girls with flawless skin mean her physical relationship with cool, popular Alex depends on genuine trust. Young people, especially those who know the pain of feeling unattractive in an age of social media, will resonate with this sympathetically told journey. All characters seem to be white.
A cute romance featuring a heroine who never before got to feel cute. (Romance. 13-16)Pub Date: April 7, 2020
ISBN: 978-1-250-21926-8
Page Count: 272
Publisher: Flatiron Books
Review Posted Online: Feb. 29, 2020
Kirkus Reviews Issue: March 15, 2020
BOOK REVIEW
An enjoyable, if predictable, romantic holiday story.
Is an exuberant extended family the cure for a breakup? Sophie is about to find out.
When Sophie unexpectedly breaks up with her boyfriend, she isn’t thrilled about spending the holidays at her grandparents’ house instead of with him. And when her grandmother forms a plan to distract Sophie from her broken heart—10 blind dates, each set up by different family members—she’s even less thrilled. Everyone gets involved with the matchmaking, even forming a betting pool on the success of each date. But will Sophie really find someone to fill the space left by her ex? Will her ex get wind of Sophie’s dating spree via social media and want them to get back together? Is that what she even wants anymore? This is a fun story of finding love, getting to know yourself, and getting to know your family. The pace is quick and light, though the characters are fairly shallow and occasionally feel interchangeable, especially with so many names involved. A Christmas tale, the plot is a fast-paced series of dinners, parties, and games, relayed in both narrative form and via texts, though the humor occasionally feels stiff and overwrought. The ending is satisfying, though largely unsurprising. Most characters default to white as members of Sophie’s Italian American extended family, although one of her cousins has a Filipina mother. One uncle is gay.
An enjoyable, if predictable, romantic holiday story. (Fiction. 13-16)Pub Date: Oct. 1, 2019
ISBN: 978-1-368-02749-6
Page Count: 336
Publisher: Disney-Hyperion
Review Posted Online: June 22, 2019
Kirkus Reviews Issue: Aug. 1, 2019
The Phantom of the Opera served as inspiration, but this wouldn’t last on Broadway.
Stephanie and her family move into an old mansion rumored to have been put under a curse after a turn-of-the-20th-century rich boy meddled with an Egyptian mummy.
After her young sister complains about strange events, high school student Stephanie befriends Lucas, a geeky, good-looking boy, and meets the other members of SPOoKy, the Scientific Paranormal Organization of Kentucky: Charlotte, Wes, and Patrick. Stephanie learns the history of her new home from Lucas, who attracts her romantic attention, but the usually levelheaded girl is soon drawn to Erik, the handsome phantom who first comes to her in dreams. The story is told in chapters narrated by Stephanie, Lucas, and Zedok, whose identity is initially a source of confusion to Stephanie. Zedok appears wearing different masks, “personified slivers” of his soul, representing states of mind such as Wrath, Madness, and Valor. Meanwhile, until gifted singer Stephanie came along and he could write songs for her, Erik’s dreams were thwarted; he wanted to be a composer but his family expected him to become a doctor. In the gothic horror tradition, Erik’s full background and connection with Zedok are slowly revealed. Romantic dream sequences are lush and swoon-y, but the long, drawn-out battle to end the curse, aided by a celebrity clairvoyant, is tedious, and the constant introduction of Erik’s different personae is confusing. Most characters default to White; Patrick is Black.
The Phantom of the Opera served as inspiration, but this wouldn’t last on Broadway. (Horror. 13-16)Pub Date: Aug. 17, 2021
ISBN: 978-0-593-11604-3
Page Count: 528
Publisher: Viking
Review Posted Online: May 26, 2021
Kirkus Reviews Issue: June 15, 2021
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