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MOUNTING DESIRE

Romance interruptus.

A second outing by Killham (How to Cook a Tart, 2002) alternately spoofs and succumbs to the conventions of genre romance.

Jack Carter, aka Celeste d’Arcy, is at the top of his game as a romance author. His Regency characters, Primrose and Guy, lounge around inspiring him with what will prove to be this novel’s wittiest repartee. (Although the setting is Venice Beach, Calif., and the characters are American, the dialogue is pure cheeky Brit-speak.) Recently, after too many encounters with women who only want one thing, Jack has decided to become a “born-again virgin” and save himself for true love. Meanwhile, his sister Kate tries seaweed, exorcism, feng shui, testosterone patches, anything to recharge her flagging libido, but her husband’s girth keeps dampening her ardor. Their teenage daughter Leda is experimenting with hooking up and directing Internet porn videos. Kate sends her newly destitute and recently evicted friend Molly to stay with Jack—Molly is unemployed as a result of a sexual harassment scandal (she’s the perp). Jack’s elderly mother Rita, meanwhile, is a sexual harasser-wannabe deterred only by the male-female ratio (1-10) at her retirement community. While Jack labors to cement a rules-driven abstinent relationship with blonde ice-queen Heather, he finds himself inexorably drawn to lush brunette Molly, who’s the ideal combination of randy but well-intentioned. But she hesitates to exploit Jack’s suppressed longings—except as a conduit to his editor. Soon, as Molly Desire, she’s outstripping him career-wise, penning romance spiced with S&M and erotica, while Primrose and Guy are locked out by their author’s sudden creativity deficit. Molly gets pregnant by one of her interchangeable lovers, possibly the Fabio clone who models during Jack’s bookstore appearances, while, in another trite twist, Mom proves too sexy for the nursing home. Obstacles to achieving the coy title’s intent, uh, snowball. In a Valentine’s Day ensemble set-piece worthy of a bad sitcom pilot, the scattershot plot unravels, and abrupt reversals and convenient changes of heart dictate the predictable dénouement.

Romance interruptus.

Pub Date: May 9, 2005

ISBN: 1-58234-501-5

Page Count: 224

Publisher: Bloomsbury

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2005

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THE LEGEND OF THE LADY SLIPPER

AN OJIBWE TALE

Lunge-Larsen and Preus debut with this story of a flower that blooms for the first time to commemorate the uncommon courage of a girl who saves her people from illness. The girl, an Ojibwe of the northern woodlands, knows she must journey to the next village to get the healing herb, mash-ki- ki, for her people, who have all fallen ill. After lining her moccasins with rabbit fur, she braves a raging snowstorm and crosses a dark frozen lake to reach the village. Then, rather than wait for morning, she sets out for home while the villagers sleep. When she loses her moccasins in the deep snow, her bare feet are cut by icy shards, and bleed with every step until she reaches her home. The next spring beautiful lady slippers bloom from the place where her moccasins were lost, and from every spot her injured feet touched. Drawing on Ojibwe sources, the authors of this fluid retelling have peppered the tale with native words and have used traditional elements, e.g., giving voice to the forces of nature. The accompanying watercolors, with flowing lines, jewel tones, and decorative motifs, give stately credence to the story’s iconic aspects. (Picture book/folklore. 4-8)

Pub Date: March 1, 1999

ISBN: 0-395-90512-5

Page Count: 32

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1999

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OWEN FOOTE, MONEY MAN

In his quest for easy moolah, Owen learns that the road to financial solvency can be rocky and fraught with work. Greene (Owen Foote, Soccer Star, 1998, etc.) touches upon the often-thorny issue of chores and allowances: Owen’s mom wants him to help out because he’s part of the family and not just for the money—while Owen wants the money without having to do tedious household chores. This universal dilemma leaves Owen without funds and eagerly searching for ways to make a quick buck. His madcap schemes range from original—a “free” toilet demonstration that costs 50 cents—to disastrous, as during the trial run of his children’s fishing video, Owen ends up hooking his ear instead of a trout. Enlisting the aid of his stalwart, if long-suffering, friend Joseph, the two form a dog-walking club that becomes vastly restricted in clientele after Owen has a close encounter with an incontinent, octogenarian canine. Ultimately, Owen learns a valuable lesson about work and money when an unselfish action is generously rewarded. These sudden riches motivate Owen to consider wiser investments for his money than plastic vomit. Greene’s crisp writing style and wry humor is on-target for young readers. Brief chapters revolving around a significant event or action and fast pacing are an effective draw for tentative readers. Weston’s (Space Guys!, p. 392, etc.) black-and-white illustrations, ranging in size from quarter- to full-page, deftly portray Owen’s humorous escapades. A wise, witty addition to Greene’s successful series. (Fiction. 8-10)

Pub Date: Sept. 18, 2000

ISBN: 0-618-02369-0

Page Count: 96

Publisher: Clarion Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2000

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