ONE DAY I SHALL ASTONISH THE WORLD

Susan Faye Warren—wife, mother, worker, and friend—shares the events of her adult life, interspersed with much deadpan detail, in Stibbe’s latest comic/domestic dispatch.

With her singular voice and deep roots in the English psyche, Stibbe has carved out a niche for oddball female narrators set against quirky provincial settings. Her fourth novel follows this pattern, tracing Susan’s interior and exterior landscapes as she traverses three decades of marriage to Roy, her parenting of their daughter, Honey, and accounts of an on/off friendship with the unpredictable Norma. The setting is England’s smallest county, Rutland, specifically the town of Brankham, where Roy and Susan meet while she’s studying English at the University of Rutland while holding down a Saturday job at the Pin Cushion, a haberdashery owned by the Pavlous, Norma’s parents. But over the years, the marriage devolves into something “that neither Roy or I seem to care about one jot,” while Honey grows into an unusual child, although devoted and loyal to Grace, the surprise sister Roy turns out to have fathered with his landlady before meeting Susan. Meanwhile, there are strange goings-on in the community, some of them sexual, and Norma becomes increasingly less reliable as she achieves enviable-seeming successes, professionally and personally. When Norma takes as her second husband the university’s vice chancellor, for whom Susan works, the women’s friendship becomes thornier still, as Norma blocks Susan’s plans and steals her ideas. But is all what it seems? Stibbe’s new novel, with its long time span and variable, sometimes chilly relationships, offers a cooler vision than some of her earlier works, but the trademark tone, humor, nostalgic detail, and skewed perspective remain as reliably diverting as ever.

Emotional upsets and surprises are interleaved with eccentricity in this latest slice of offbeat Englishness.