An imaginative, dramatic, and surprising rendition of Jack’s famous adventure.
In this stylish retelling of the classic folk tale, penniless Jack climbs a magical beanstalk, outsmarts a greedy giant, and restores family fortunes.
In the familiar plot, when Jack’s mother sends him to sell their cow to buy food, he returns with “magic” beans instead. His distraught mother discards the beans, which sprout into a towering beanstalk. Thrice Jack scales the beanstalk, hides from the giant (who killed his father and stole their wealth), and exacts revenge by taking the giant’s hen who lays golden eggs, his gold coins, and his gold harp. When the giant finally pursues him, Jack takes his axe to the beanstalk. The familiar text offers no surprises, but blood-red endpapers decorated with a beetle and green beans portend an untraditional visual approach. In contrast to pale-skinned Jack and his mother, rendered in delicate black-and-white strokes, Töwe paints everything else in bold, emotionally charged hues. With a fish for an eye and another on her head, the giant’s green wife appears more than creepy, while the giant is a disconcerting, barely recognizable assemblage of animals, medieval buildings, shells, bones, insects, and plants. Every double-page spread offers arresting close-ups and perspectives, perplexing combinations, and powerful, surreal compositions to confound or delight, while the twisting, green beanstalk exudes kinetic energy.
An imaginative, dramatic, and surprising rendition of Jack’s famous adventure. (Picture book. 4-9)Pub Date: May 1, 2017
ISBN: 978-988-8341-36-8
Page Count: 40
Publisher: minedition
Review Posted Online: March 5, 2017
Kirkus Reviews Issue: March 15, 2017
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
Although the love comes shining through, the text often confuses in straining for patterned simplicity.
A collection of parental wishes for a child.
It starts out simply enough: two children run pell-mell across an open field, one holding a high-flying kite with the line “I wish you more ups than downs.” But on subsequent pages, some of the analogous concepts are confusing or ambiguous. The line “I wish you more tippy-toes than deep” accompanies a picture of a boy happily swimming in a pool. His feet are visible, but it's not clear whether he's floating in the deep end or standing in the shallow. Then there's a picture of a boy on a beach, his pockets bulging with driftwood and colorful shells, looking frustrated that his pockets won't hold the rest of his beachcombing treasures, which lie tantalizingly before him on the sand. The line reads: “I wish you more treasures than pockets.” Most children will feel the better wish would be that he had just the right amount of pockets for his treasures. Some of the wordplay, such as “more can than knot” and “more pause than fast-forward,” will tickle older readers with their accompanying, comical illustrations. The beautifully simple pictures are a sweet, kid- and parent-appealing blend of comic-strip style and fine art; the cast of children depicted is commendably multiethnic.
Although the love comes shining through, the text often confuses in straining for patterned simplicity. (Picture book. 5-8)Pub Date: April 1, 2015
ISBN: 978-1-4521-2699-9
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: Feb. 15, 2015
Kirkus Reviews Issue: March 1, 2015
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