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NO TEARS FOR MAO

GROWING UP IN THE CULTURAL REVOLUTION

This graphic account of the horrors of the Chinese Cultural Revolution will put to rest any remaining romantic notions about Chairman Mao. First published in France in 1989, the book recounts the author's life in a ``bourgeois'' family (her grandfather was a banker, her parents actors). Born just days before Mao declared the Cultural Revolution in 1966, Niu-Niu was four when armed Red Guards invaded her home and took her parents to a reeducation camp as punishment for their unspecified ``counter-revolutionary'' crimes; she did not see them again for eight years. The girl found refuge with her grandparents, who were the subject of local Communist Party criticism meetings that took the form of beatings. Her grandfather was finally beaten to death, and young Niu-Niu was derided in her neighborhood and at school as the ``child of criminals.'' She and her grandmother had so little food that the child took to stealing to supplement their diet. The outcast Niu- Niu became a member of a children's gang involved in a wide array of petty theft; she was continually in trouble with the authorities. Once her parents were allowed to return home after the official end of the Cultural Revolution, she shaped up long enough to pass her exams and enter a Beijing university specializing in film production. Niu-Niu's constant rebellion against the school's efforts to make students conform to the Communist Party line ultimately led to her expulsion. Her perseverance and courage in the face of tyranny will overwhelm readers. The book ends with her departure from China for a new life in France with a French citizen she later married. (They are now divorced.) The excellent translation does justice to this remarkable story. An important depiction of recent Chinese history too quickly being forgotten in the rush to seek trade with China.

Pub Date: Jan. 1, 1995

ISBN: 0-89733-410-8

Page Count: 285

Publisher: Academy Chicago

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 1994

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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