THE CROCODILE MAKES NO SOUND

In this historical mystery set in ancient Egypt, a career diplomat searches for his missing brother-in-law while also investigating a case of royal blackmail.

Hani is back in Holmes’ second book (Bird in a Snare, 2020) in the Lord Hani mystery series. The protagonist is a former diplomat with serious reservations about King Akhenaten’s rule. Policy disagreements have prompted him to leave active service in the diplomatic corps since he’s unable to enforce a foreign policy he doesn’t respect. But the bigger issue is religion; King Akhenaten traded observing polytheistic traditions for worshipping a sun god, “dazzling Aten, the Visible One.” The new religion makes it an uneasy time in the changing kingdom, as does a recently founded, unstable capital city, which still has “a look of rawness.” “Everything was dust and gravel except for the whitewashed splendor of the temples and palaces,” Hani observes cynically. Despite Hani’s displeasure with the new regime, he tries to keep himself and his family in the government’s good graces. Hani’s brother-in-law, Amen-em-hut, a prophet of Amen-Ra, is not as diplomatic. After openly complaining about Akhenaten’s heresy and suggesting he be assassinated, he’s gone missing. Drawing on his contacts in the capital, Hani begins his search for him, but he’s soon asked to help with another problem. Kiya, the king’s wife and a friend of Hani’s, is being blackmailed for having an affair with an artisan sculptor. As if things weren’t chaotic enough, Hani agrees to host Aziru—a newly added vassal—and his entourage as a favor to the king. A crowded house becomes more crowded. “When was the last time anything normal happened in our kingdom?” Hani asks Maya, his faithful scribe and constant companion.

The novel meticulously constructs its historical setting. The cast is equally intricate, comprising a lively circle of Hani’s family, friends, and acquaintances. The major plot threads are Hani’s investigations, but the novel also juggles several satisfying minor arcs, including Maya’s marriage to Hani’s daughter Sat-hut-haru and Hani’s youngest daughter’s interest in medicine. Holmes captures the pressures and anxieties of regime change, religious allegiances, and political jockeying, but the author never loses sight of the drama, joy, and pain within Hani’s household. Holmes expertly develops the cast and setting; for example, in a scene that vividly reunites Hani and Kiya, Hani notices that “her big almond eyes looked twice as enormous edged with kohl. She wore a short Nubian-style wig, angled below the ears to become even shorter in back.” He goes on: “It was the latest style, and it had never looked better than upon this glittering young princess.” The danger of such a carefully researched subject is that the material can capsize the plot, but Holmes ably inserts historical exposition into his storytelling. Occasionally, the Byzantine network of characters makes it difficult to connect with minor figures, but an overstuffed cast makes for more suspects and opportunities for sequels.

A satisfying mystery in a vividly realized historical setting.