With a little modification, this is a lively and uplifting poem to share aloud with children, or for adults and children to...


A short lyrical celebration of innocence, childhood wonder and the constancy of family love.

Favoring impressionism over narrative, Meyers’ paean to the joys of childhood packs a lot of picturesque imagery into its 37 lines. From loved ones to games, from junk food to elves, from the wonders of nature to the comforts of home, Meyers covers the gamut of childhood adventure, imagination and pleasure. The idealized childhood envisioned by this poem is one of unfettered curiosity, active exploration and engagement with the world and unconditional love. Though no singular narrative voice asserts itself amid the rapid-fire succession of images, the refrain of “Hugs and Kisses with Lots of Love” that closes each of the eight stanzas suggests a giver of hugs and kisses, a kindly singer behind the song, and reveals the song itself to be an invocation of blessing intended for her young listeners. Employing a heterometric rhythmic structure, Meyers produces some interesting and fun lines in unexpected ways. For instance, by interspersing some trochees and using feminine rhyme, she is able to shape dactyls, traditionally associated with serious and elegiac verse, into lighthearted lines such as “Marshmallows crispy all gooey and yummy / Open your mouth and fill-up your tummy.” Not every line works quite so well, but the prevalence of trochaic lines—long used in nursery rhymes and famously by William Blake in Songs of Innocence and Experience—along with an abundance of action-evoking present participial forms and a semiregular rhyme scheme, make reading this poem aloud a pleasurable shared experience—with one unfortunate exception. The metrically dissonant refrain, repeated eight times throughout the poem, tends to bring each stanza up short, jarring the reader from the fun and fast-paced flow of the previous lines. The poem reads significantly better if all iterations of that line, except the last, are skipped.

With a little modification, this is a lively and uplifting poem to share aloud with children, or for adults and children to recite together.

Pub Date: Feb. 23, 2011

ISBN: 978-1434965516

Page Count: 8

Publisher: N/A

Review Posted Online: April 27, 2011

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Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...


Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.

When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.

Pub Date: April 23, 2013

ISBN: 978-0-312-57721-6

Page Count: 416

Publisher: St. Martin's

Review Posted Online: Feb. 18, 2013

Kirkus Reviews Issue: March 1, 2013

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More Hallmarkiana, from a shameless expert in the genre.


High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

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