A novel in stories that oscillates between ordinariness and brilliance.
In Ihejirika’s multifaceted debut novel, the death of a dictator shakes up the denizens of an apartment complex in Lagos, Nigeria.
It’s June 1998, and Sani Abacha, the “dark-goggled” leader of Nigeria’s military dictatorship, has died. That event has consequences for the inhabitants of the apartments at 1998 New Nigeria Road. They represent the diverse ethnic, religious and economic groups within their country and have either benefited or suffered under Abacha’s regime. Now, these businessmen, criminals, students, servants, spouses and mistresses must each evaluate the personal ramifications of the power shift as democracy threatens to overturn the status quo. As eight narrators tell their tales of survival in a corrupt system, readers are treated to the recent history of Africa’s most populous nation. The stories focus on the trials of attempting to do right by one’s people, one’s family and oneself. In one tale, a pimp of high-end escorts wonders if the incoming government’s ministers will have the same taste for companionship as those of the old. In another, a conflicted public relations wizard, thrilled at the promise of a new order, may have to flee the country because of the work he did for the previous one. Ihejirika masterfully presents the complex systems of patronage, exploitation and outright theft that exist at all levels of society. He illustrates his characters’ harsh pragmatism with sympathetic exactness even as he continually reminds readers of the idealism that lies dormant within them. The prose does have a distracting fondness for American idioms, and earlier chapters sometimes feel bogged down by exposition. The casual style of narration also works against the tension of some storylines. Ihejirika often relies on concluding twists to illuminate his chapters, which yields moments that are either wonderful or predictable. At his best, however, he presents characters of moral complexity that are suited to their times and suggests that they can only begin to evolve when confronted with the startling fact that their system is moving on without them.
A novel in stories that oscillates between ordinariness and brilliance.Pub Date: Aug. 1, 2014
ISBN: 978-1460244951
Page Count: 280
Publisher: FriesenPress
Review Posted Online: Sept. 24, 2014
Review Program: Kirkus Indie
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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