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CLOUD COUNTRY

A crackerjack salute to the creations of the mind.

Who makes those clouds in the sky, anyway? Writer Becker and Pixar art director and story conceptualist Klocek are pretty sure it’s a bunch of kids.

Klocek’s artwork is top-shelf; all the action takes place in the air, so the views even on the endpapers are magnificent: a patchwork of fields, a meandering stream, birds in flight below readers. In the sky, adrift on clouds that their elders crafted, are cloudlets, little cloud-makers–to-be. First, they must pass their exams at the Formation School, their work to be judged by the Guardians. Young Gale has been neglecting her studies; she spends her time mooning, as it were, at the Earth and what is happening below. When she tries to conjure a cumulonimbus, it doesn’t tower and threaten, it looks like an elephant. Her cumulus looks like a tugboat, and others clouds look like dogs, frogs, and bears. Things look bleak for Gale until the Guardians applaud her efforts: “We are so glad to finally find you. We’ve been waiting for another Daydream Cloud for a long time.” Steering clear of mawkishness, Becker and Klocek dive straight into the imagination. Klocek’s cloud characters are marshmallow puffy with giant, waft-y hairdos; daubs of paint (presumably digital) in varying tones of slate blue, lavender, and gold, with genial, fat cheeks and expressive faces.

A crackerjack salute to the creations of the mind. (Picture book. 3-5)

Pub Date: Nov. 3, 2015

ISBN: 978-1-4231-5732-8

Page Count: 40

Publisher: Disney Press

Review Posted Online: June 28, 2015

Kirkus Reviews Issue: July 15, 2015

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WHY?

A funny David-versus-Goliath story with a one-word question serving as the slingshot. (Picture book. 3-5)

Doctor X-Ray, a megalomaniac with an X-ray blaster and an indestructible battle suit, crashes through the ceiling of the local mall.

Innocent patrons scatter to safety. But one curious child gazes directly at the bully and asks: “Why?” At first, Doctor X-Ray answers with all the menace and swagger of a supervillain. The curious child, armed with only a stuffed bear and clad in a bright red dress, is not satisfied with the answers and continues asking: “Why?” As his pale cheeks flush with emotion, Doctor X-Ray peels back the onion of his interior life, unearthing powerful reasons behind his pursuit of tyranny. This all sounds heavy, but the humorously monotonous questions coupled with free-wheeling illustrations by Keane set a quick pace with comical results. At 60 pages, the book has room to follow this thread back to the diabolical bully’s childhood. Most of the answers go beyond a child’s understanding—parental entertainment between the howl of the monosyllabic chorus. It is the digital artwork, which is reminiscent of Quentin Blake’s, that creates a joyful undercurrent of rebellion with bold and loose brush strokes, patches of color, and expressive faces. The illustrations harken to a previous era save for the thoroughly liberated Asian child speaking truth to power.

A funny David-versus-Goliath story with a one-word question serving as the slingshot. (Picture book. 3-5)

Pub Date: Oct. 1, 2019

ISBN: 978-1-4521-6863-0

Page Count: 60

Publisher: Chronicle Books

Review Posted Online: June 24, 2019

Kirkus Reviews Issue: July 15, 2019

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WITH ALL MY HEART

Sweet.

A caregiving bear shares with its cub how love has defined their relationship from the first moment and through the years as the cub has grown.

With rhymes and a steady rhythm that are less singsong-y than similar books, Stansbie seems to have hit a sweet spot for this offering on the I-love-you-always shelf. Readers follow the adult and child as they share special moments together—a sunset, a splash in a pond, climbing a tree, a snuggle—and the adult tells the child that the love it feels has only grown. Stansbie also takes care not to put promises in the adult bear’s mouth that can’t be delivered, acknowledging that physical proximity is not always possible: “Wherever you are, / even when we’re apart… // I’ll love you forever / with all of my heart.” The large trim size helps the sweet illustrations shine; their emphasis is on the close relationship between parent and child. Shaped peekaboo windows offer glimpses of preceding and succeeding pages, images and text carefully placed to work whatever the context. While the die cuts on the interior pages will not hold up to rough handling, they do add whimsy and delight to the book as a whole: “And now that you’re bigger, / you make my heart sing. / My / beautiful / wonderful / magical / thing.” Those last three adjectives are positioned in leaf-shaped cutouts, the turn of the page revealing the roly-poly cub in a pile of leaves, three formed by the die-cuts. Opposite, three vignettes show the cub appreciating the “beautiful,” the “wonderful,” and the “magical.”

Sweet. (Picture book. 3-5)

Pub Date: Dec. 3, 2019

ISBN: 978-1-68412-910-2

Page Count: 32

Publisher: Silver Dolphin

Review Posted Online: Oct. 12, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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