Silliness resolves into true affection in this airy encore.
Dill, an “odd duck,” and Bizzy, a “strange bird,” return following their eponymous debut to find their friendship tested as they spend a day doing everything the opposite way.
Bizzy, awake early for a change, decides that it is Opposite Day and, to Dill’s dismay and annoyance, declares that they will do their usual daily routine in the reverse. So instead of beginning the day with breakfast, they will start with dinner. Rather than a slow morning waddle, they will go on a fast morning run. Flying up to the sky will be replaced with flying down to the ground. Poor Dill just wants a quiet day, but Bizzy’s convinced he really would enjoy a loud dance party. Dill’s protestations escalate (“NO! NO! STOP!”) while Bizzy continues to turn around every statement and activity (“YES! YES! GO!”). By day’s end both feathered friends realize the absurdity when Bizzy admits that “the opposite of going to sleep is staying up all night! Opposite Day will go on forever!” Opposite Day then would also mean they must be worst enemies instead of best friends. Unimaginable! The two resolve to always be best friends every day. This author/illustrator team of sisters harmoniously combines a dialogue-driven narrative with animated black-outlined, digitally colored cartoon drawings.
Silliness resolves into true affection in this airy encore. (Picture book. 4-6)Pub Date: Jan. 24, 2017
ISBN: 978-0-06-230453-7
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 1, 2016
BOOK REVIEW
BOOK REVIEW
A welcome addition to autumnal storytelling—and to tales of traditional enemies overcoming their history.
Ferry and the Fans portray a popular seasonal character’s unlikely friendship.
Initially, the protagonist is shown in his solitary world: “Scarecrow stands alone and scares / the fox and deer, / the mice and crows. / It’s all he does. It’s all he knows.” His presence is effective; the animals stay outside the fenced-in fields, but the omniscient narrator laments the character’s lack of friends or places to go. Everything changes when a baby crow falls nearby. Breaking his pole so he can bend, the scarecrow picks it up, placing the creature in the bib of his overalls while singing a lullaby. Both abandon natural tendencies until the crow learns to fly—and thus departs. The aabb rhyme scheme flows reasonably well, propelling the narrative through fall, winter, and spring, when the mature crow returns with a mate to build a nest in the overalls bib that once was his home. The Fan brothers capture the emotional tenor of the seasons and the main character in their panoramic pencil, ballpoint, and digital compositions. Particularly poignant is the close-up of the scarecrow’s burlap face, his stitched mouth and leaf-rimmed head conveying such sadness after his companion goes. Some adults may wonder why the scarecrow seems to have only partial agency, but children will be tuned into the problem, gratified by the resolution.
A welcome addition to autumnal storytelling—and to tales of traditional enemies overcoming their history. (Picture book. 4-6)Pub Date: Sept. 3, 2019
ISBN: 978-0-06-247576-3
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: June 1, 2019
Low grade.
A gray character tries to write an all-gray book.
The six primary and secondary colors are building a rainbow, each contributing the hue of their own body, and Gray feels forlorn and left out because rainbows contain no gray. So Gray—who, like the other characters, has a solid, triangular body, a doodle-style face, and stick limbs—sets off alone to create “the GRAYest book ever.” His book inside a book shows a peaceful gray cliff house near a gray sea with gentle whitecaps; his three gray characters—hippo, wolf, kitten—wait for their arc to begin. But then the primaries arrive and call the gray scene “dismal, bleak, and gloomy.” The secondaries show up too, and soon everyone’s overrunning Gray’s creation. When Gray refuses to let White and Black participate, astute readers will note the flaw: White and black (the colors) had already been included in the early all-gray spreads. Ironically, Gray’s book within a book displays calm, passable art while the metabook’s unsubtle illustrations and sloppy design make for cramped and crowded pages that are too busy to hold visual focus. The speech-bubble dialogue’s snappy enough (Blue calls people “dude,” and there are puns). A convoluted moral muddles the core artistic question—whether a whole book can be gray—and instead highlights a trite message about working together.
Low grade. (glossary) (Picture book. 4-6)Pub Date: Dec. 1, 2019
ISBN: 978-1-5420-4340-3
Page Count: 40
Publisher: Two Lions
Review Posted Online: July 22, 2019
Kirkus Reviews Issue: Aug. 15, 2019
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