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THE HOT YOUNG WIDOWS CLUB

LESSONS ON SURVIVAL FROM THE FRONT LINES OF GRIEF

Inspirational and candid information on a topic most of us never want to think about until we are forced to confront it.

The latest installment of the TED Books series is a book “not just for those who have survived the death of a spouse, but for anyone who has loved someone who died, or who has loved someone who loved someone who died.”

In the space of a few months, McInerny (It's Okay to Laugh: (Crying Is Cool Too), 2016, etc.) lost a pregnancy, her father, and her husband. Understandably falling into a deep pit of grief, she discovered others who were stuck there as well. While she slowly rebuilt her life, she noticed that while there are plenty of assumptions about mourning and grieving people, there was no playbook for the aggrieved. In this concise exploration of “foundational loss,” the author shares her thoughts on how she made it through her most difficult moments and provides readers with the guidelines that worked for her—and didn’t. Although the subject makes for tough reading, McInerny approaches it with practicality (“order as many death certificates as you can afford”) and humor (“you have no idea how hard it is to prove someone is dead until your person dies”). Refreshingly, she breaks this grim and challenging topic into bite-sized pieces. She counsels readers to tell your loved ones that you really are not OK, that it is normal to feel like your brain is overloaded, and what to write in a sympathy card (there’s a template for those at a loss for words). Even though the book is short—as all TED Books are—it includes an impressive amount of helpful information about how anyone can deal with grief. It should be required reading for nearly everyone, since, sadly, “everyone you know will die and…each death will bring a fresh new brand of grief.”

Inspirational and candid information on a topic most of us never want to think about until we are forced to confront it.

Pub Date: April 30, 2019

ISBN: 978-1-982109-98-1

Page Count: 112

Publisher: TED/Simon & Schuster

Review Posted Online: Feb. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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UNTAMED

Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

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More life reflections from the bestselling author on themes of societal captivity and the catharsis of personal freedom.

In her third book, Doyle (Love Warrior, 2016, etc.) begins with a life-changing event. “Four years ago,” she writes, “married to the father of my three children, I fell in love with a woman.” That woman, Abby Wambach, would become her wife. Emblematically arranged into three sections—“Caged,” “Keys,” “Freedom”—the narrative offers, among other elements, vignettes about the soulful author’s girlhood, when she was bulimic and felt like a zoo animal, a “caged girl made for wide-open skies.” She followed the path that seemed right and appropriate based on her Catholic upbringing and adolescent conditioning. After a downward spiral into “drinking, drugging, and purging,” Doyle found sobriety and the authentic self she’d been suppressing. Still, there was trouble: Straining an already troubled marriage was her husband’s infidelity, which eventually led to life-altering choices and the discovery of a love she’d never experienced before. Throughout the book, Doyle remains open and candid, whether she’s admitting to rigging a high school homecoming court election or denouncing the doting perfectionism of “cream cheese parenting,” which is about “giving your children the best of everything.” The author’s fears and concerns are often mirrored by real-world issues: gender roles and bias, white privilege, racism, and religion-fueled homophobia and hypocrisy. Some stories merely skim the surface of larger issues, but Doyle revisits them in later sections and digs deeper, using friends and familial references to personify their impact on her life, both past and present. Shorter pieces, some only a page in length, manage to effectively translate an emotional gut punch, as when Doyle’s therapist called her blooming extramarital lesbian love a “dangerous distraction.” Ultimately, the narrative is an in-depth look at a courageous woman eager to share the wealth of her experiences by embracing vulnerability and reclaiming her inner strength and resiliency.

Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

Pub Date: March 10, 2020

ISBN: 978-1-9848-0125-8

Page Count: 352

Publisher: Dial Books

Review Posted Online: Dec. 21, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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THE ESCAPE ARTIST

A vivid sequel that strains credulity.

Fremont (After Long Silence, 1999) continues—and alters—her story of how memories of the Holocaust affected her family.

At the age of 44, the author learned that her father had disowned her, declaring her “predeceased”—or dead in his eyes—in his will. It was his final insult: Her parents had stopped speaking to her after she’d published After Long Silence, which exposed them as Jewish Holocaust survivors who had posed as Catholics in Europe and America in order to hide multilayered secrets. Here, Fremont delves further into her tortured family dynamics and shows how the rift developed. One thread centers on her life after her harrowing childhood: her education at Wellesley and Boston University, the loss of her virginity to a college boyfriend before accepting her lesbianism, her stint with the Peace Corps in Lesotho, and her decades of work as a lawyer in Boston. Another strand involves her fraught relationship with her sister, Lara, and how their difficulties relate to their father, a doctor embittered after years in the Siberian gulag; and their mother, deeply enmeshed with her own sister, Zosia, who had married an Italian count and stayed in Rome to raise a child. Fremont tells these stories with novelistic flair, ending with a surprising theory about why her parents hid their Judaism. Yet she often appears insensitive to the serious problems she says Lara once faced, including suicidal depression. “The whole point of suicide, I thought, was to succeed at it,” she writes. “My sister’s completion rate was pathetic.” Key facts also differ from those in her earlier work. After Long Silence says, for example, that the author grew up “in a small city in the Midwest” while she writes here that she grew up in “upstate New York,” changes Fremont says she made for “consistency” in the new book but that muddy its narrative waters. The discrepancies may not bother readers seeking psychological insights rather than factual accuracy, but others will wonder if this book should have been labeled a fictionalized autobiography rather than a memoir.

A vivid sequel that strains credulity.

Pub Date: Feb. 11, 2020

ISBN: 978-1-982113-60-5

Page Count: 352

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Oct. 20, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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