by Norm Cuddy ‧ RELEASE DATE: May 15, 2018
A gripping yarn for armchair adventurers.
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A Canadian lawyer gets drawn into Mexico’s contemporary revolutionary struggle in this thriller.
In 2001, Ted Sorenson’s life is one that’s full of “bad decisions,” including a “bad marriage.” He reluctantly visits a spa in the Mexican countryside, looking for a new lease on life. En route, he meets and falls for an American woman who identifies herself as Barbara Jones, a brokerage firm’s bookkeeper. But at the border, she tells customs officials that her name is Bailey. When readers next see her, she’s purchasing a Smith & Wesson .30-caliber pistol and hollow-point bullets in Tecate. It turns out that she has some unfinished business involving Capitán Hernandez, a sadistic Mexican army general who led the 1997 slaughter of 45 villagers in Acteal, where Bailey was working at the time. She survived the attack but not before enduring unspeakable abuses, harrowingly revealed as the book progresses. Soon after Ted agrees to help her, he’s arrested; after Bailey breaks him out of jail, she discovers that there’s an international warrant out for his capture. The action escalates, and later Bailey kills a gunman and saves the life of Subcomandante Marcos, leader of the revolutionary Zapatistas, “a legend in his own time.” She then tries to get Marcos, who was also at Acteal, to kill Hernandez. Cuddy’s posthumously published debut novel is based on the actual Acteal massacre, and other figures, such as Marcos and the Zapatistas, are also drawn from real life. However, it also has a propulsive, noirish quality, as it tells the story of a good man and a woman with a tortured past who draws him into extraordinary events that test his mettle. Cuddy’s descriptions of the landscape, village culture, and the Zapatistas’ militant crusade all feel authentic. By comparison, Hernandez’s posturing villainy seems a bit overly broad, but Cuddy does devise credible, hard-earned fates for each of his vivid characters.
A gripping yarn for armchair adventurers.Pub Date: May 15, 2018
ISBN: 978-0-9958689-0-8
Page Count: 288
Publisher: Chester House Press
Review Posted Online: June 11, 2018
Kirkus Reviews Issue: Aug. 1, 2018
Review Program: Kirkus Indie
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by Caitlin Mullen ‧ RELEASE DATE: March 3, 2020
A lyrical, incisive, and haunting debut.
In Atlantic City, the bodies of several women wait to be discovered and a young psychic begins having visions of terrible violence.
They are known only as Janes 1 through 6, the women who have been strangled and left in the marsh behind the seedy Sunset Motel. They wait for someone to miss them, to find them. That someone might be Clara, a teenage dropout who works the Atlantic City strip as a psychic and occasionally has visions. She can tell there's something dangerous at work, but she has other problems. To pay the rent, she begins selling her company, and then her body, to older men. One day she meets Lily, another young woman who'd escaped the depressing decay of Atlantic City for New York only to be betrayed by a man. She’s come back to AC because there’s nowhere else to go, and she spends her time working a dead-end job and drinking herself into oblivion. Together, Clara and Lily may be able to figure out the truth—but they will each lose something along the way. Mullen’s style is subtle, flowing; she switches the narrative voice with each chapter, giving us Clara and Lily but also each of the victims. At the heart of the novel lies the bitter observation that “Women get humiliated every day, in small stupid ways and in huge, disastrous ones.” Mullen writes about all the moments that women compromise themselves in the face of male desire and male power and how they learn to use sex as commerce because “men are always promised this, no matter who they are.” The other major character in the novel is Atlantic City itself: fading; falling to ruin; promising an old sort of glamour that no longer exists; swindling sad, lonely people out of their money. This backdrop is unexpected and well rendered.
A lyrical, incisive, and haunting debut.Pub Date: March 3, 2020
ISBN: 978-1-9821-2748-0
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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by Lisa Jewell ‧ RELEASE DATE: April 24, 2018
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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