A middling rock history that will be a boon to Cleveland boosters and rock completists.
The beat goes on—and on and on—in this history of the Rock and Roll Hall of Fame.
Why should Cleveland be the home of the world’s chief museum devoted to rock music? As Nite, a veteran DJ and broadcaster, and Feran, who worked for the Cleveland Plain Dealer for nearly 40 years, observe, it was the home base of Alan Freed, who introduced the term “rock and roll” to a broad audience in the 1950s before falling afoul of the censors. Freed “championed the music so vigorously he became its personification and was called its father,” and the international syndication of Freed’s show and others out of Cleveland introduced the sound to radio listeners such as Ringo Starr, who remembers “hearing Little Richard and Jerry Lee Lewis for the first time.” In a mixture of keepsake volume and business history, the authors painstakingly—and repetitively—chart the course that brought the museum to Cleveland. The initial driving force was record-industry mogul Ahmet Ertegun, who, allied with other music insiders, established the Rock and Roll Hall of Fame Foundation and enlisted support for the endeavor. Another important figure was the fiscally conservative mayor George Voinovich, who “seemed an unlikely champion” but recognized that investing in the venue would bring much-needed income to the city. The authors calculate that the nearly 12 million visitors have brought $127 million per year to the city and its businesses. Much of the narrative is cut-and-dried, but there are some standout moments (other than the many photos), such as Sam Phillips’ anger that the museum would not be located in Memphis and Chuck Berry’s deliberate sabotaging of the first concert to be staged at the Hall. As guitarist Nils Lofgren recounts, “He shifts keys four or five times; I can only imagine to mess with us. I can’t imagine why else this happened.”
A middling rock history that will be a boon to Cleveland boosters and rock completists.Pub Date: Sept. 1, 2020
ISBN: 978-1-60635-399-8
Page Count: 176
Publisher: The Kent State University Press
Review Posted Online: June 5, 2020
Kirkus Reviews Issue: June 15, 2020
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
SEEN & HEARD
The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.
The former iCarly star reflects on her difficult childhood.
In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.
The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.Pub Date: Aug. 9, 2022
ISBN: 978-1-982185-82-4
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: May 30, 2022
Kirkus Reviews Issue: July 1, 2022
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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