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JADED HORSES

FAR BEYOND ALAMO & GOLIAD

An intriguing new angle on a lesser-known American war.

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A group of young men from Tennessee learns the true horrors of war in this historical novel.

Based on accounts of the author’s ancestors, this tale stars five Moore cousins, along with their friend Andrew Hawkins, and their horses. The men volunteer for the 1846 American invasion of Mexico. That conflict began as revenge for massacres by the Mexicans at the Alamo and Goliad. The story is narrated by 18-year-old Cameron “Cam” Moore, aided by his trusty steed, Hunter. The march to war starts as an adventure for the Moores: “We all groaned aloud with William, little bold William sayin’, ‘Well, we’s better than most them fella’s. It be sure them Mexicans don’t stand a chance with us Moore cousin’s doin the fightin.’ ” Traveling by flatboat to New Orleans is largely uneventful, at least compared to what follows. Then, long before they confront the enemy, weather and poisonous creatures take their tolls, with disease claiming American lives. The next enemy is boredom, as the soldiers try to amuse themselves while their leaders determine the best plan of attack. Then comes the bloodbath at Monterrey, where cousin Jake is killed. Next little William is sent home, stricken with malaria. Then, even after the remaining four are mustered out and head home, a tornado strikes the train they are riding. In Cam, Landerman-Moore (Samuel of the Nations, 2016) has created a levelheaded, moral compass for the war who follows his father’s dictum to treat everyone, even his enemies, in a Christian way after the battle is over. The invasion shows him all sides of humanity: the bad in his fellow Americans, the good in the Mexican peasants. The author’s authentic narrative benefits from access to the letters of Col. William Bowen Campbell, the cousins’ commander in Mexico. In addition, the illustrations by Beadles (Samuel of the Nations, 2016) help bring the Moores’ travails to life. Landerman-Moore’s descriptive prose skillfully takes readers inside the soldiers’ day-to-day encounters, whether humdrum or terrifying. An added bonus is a recap of the cousins’ fates after their return to Tennessee. All told, the author’s well-researched volume is an enjoyable examination of one family’s part in an unpopular conflict.

An intriguing new angle on a lesser-known American war.

Pub Date: July 6, 2018

ISBN: 978-1-5255-2721-0

Page Count: 192

Publisher: FriesenPress

Review Posted Online: Feb. 27, 2019

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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