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THE JUDAS KISS

Behind the lines in Nazi Vienna (and the requisite far-flung locales): a flatly politicized romantic triangle from the bestselling author of Blood and Orchids (1983). When he rescues her from a clash between the Landswehr and a witless mob of demonstrators in 1937, strong-willed Carlotta Siefermann falls in love with Jewish theatrical architect Nick Gallanz—a bad choice, since Nick and his Zwischentheater, a troupe that's turned from the classics to radical political satire, are about to become victims of the Anschluss. Even as they're being hunted down by a maniacal misfit called Der Chineser, though, Carly is protected by Nick's romantic rival—wealthy, bored sybarite Baron Fritz von Gottisberg, driven to politely suppressed fury when Carly rejects his advances. It seems Fritz will have the last laugh when Carly offers to marry him in return for a safe conduct to Italy for Nick and his family, especially since Fritz plans to have them all murdered at the border. But Nick escapes and flees to Hollywood, where he pushes his way to the top as an independent producer, making beautiful, truthful movies like Maiden Voyage and alienating the powers that be by turning down the chance to produce Domino—little realizing that this saga of the heroic woman who's smuggling downed Allied pilots back to England and France is based on the exploits of Carly, whom he's still convinced set him up even as she keeps writing to him, every letter intercepted by Fritz's minions. And despicable Fritz, recoiling tepidly from his Nazi masters and his disloyal wife, has nothing to do but wait for the inevitable advance of the Russians and the return of Nick, planning to scout locations and kill both Baron and Baroness. Katkov's syncopated prose and abrupt cuts forward make this read like a movie script, and maybe you should wait for the miniseries— even though its dramatic tension, like the novel's, is bound to depend a lot less on the cartoon characters than on historical hindsight.

Pub Date: Oct. 11, 1991

ISBN: 0-525-93366-2

Page Count: 432

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1991

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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