A stiff saga of righteousness overcoming a bad seed.
Skin color fuels sibling rivalries in this family melodrama.
Vernon and Verlene Mays, a multiracial couple in DeKalb, Texas, pass on a rainbow of complexions to their four children. Family discord ensues as their eldest daughter Verna, a light-skinned beauty, conceives an intense loathing for her darker, chubbier sister Viola Grace for no clear reason aside from Viola Grace’s unfashionable looks, studiousness and angelic disposition. Verna’s meanness blossoms in high school; she cuts classes, hangs with bad girls and sighs and rolls her eyes at everything her family does. Sounds pretty typical for a teenager, but Verlene, a woman with strict Christian values, is not one to brook a jot of rebelliousness in a child and packs her daughter off to a church boarding school. Verna runs away, taking with her the story’s sole element of trouble and complexity; with her off the stage for many chapters, the novel becomes a staid chronicle of happiness and achievement. Viola does brilliantly in college and medical school and acquires an upstanding surgeon boyfriend; her brother Vernon, Jr. and sister Vernice are also paragons. Verna-less, the family gathers for joyous yuletide celebrations (primly devoid of the “pagan symbolism” of the Christmas tree) where they toast their successes and give thanks to God before rushing out to buy new Bibles. “ ‘God is good all the time, and everything is just fine,’ ” Viola Grace observes in a fitting summary of most of the narrative. It’s a relief when the prodigal Verna finally resurfaces, beaten unconscious, with years of hard living under her belt; the tearful reunions have hardly subsided when a new rivalry develops over Verna’s neglected children, whom Viola Grace has taken in. Verna is an interesting character—bruised, often nasty, aching over her estrangement from her censorious family. Unfortunately, the author disapproves of her as strongly as the other characters do; the story is so intent on deploring Verna and applauding her perfect siblings that we never learn what makes her tick.
A stiff saga of righteousness overcoming a bad seed.Pub Date: April 1, 2010
ISBN: 978-1-4415-8934-7
Page Count: 188
Publisher: Xlibris
Review Posted Online: July 19, 2010
Review Program: Kirkus Indie
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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