by Nosy Crow ; illustrated by Axel Scheffler ‧ RELEASE DATE: June 12, 2018
New and pre-readers will flip.
Split pages allow young Dr. Moreaus to create new animals by mixing and matching the tops and bottoms of a dozen sea creatures.
In this nautical variation on Flip Flap Farm (2014), accompanying labels and (anonymous) verses introduce a sea lion and then a shark that can be altered with a flip of either half page to become a “sea lark” or a “shion”—or, with the ensuing octopus, an “oction” or (going on) any of over 100 other chimerical creatures. Though the colors often clash violently, in his simply drawn paintings Scheffler designs the smiling figures so that the forms of the interchangeable parts match reasonably well, and the combination of spiral binding and heavy card-stock pages ensures at least some resistance to wear and tear. As a sort of bonus, the verses add light doses of fact: “You’ll see my fin from far away, / as it stands up so tall. / My jaws are full of pointy teeth— / I’ve hundreds all in all!”
New and pre-readers will flip. (Picture book/novelty. 3-5)Pub Date: June 12, 2018
ISBN: 978-0-7636-9942-0
Page Count: 28
Publisher: Nosy Crow
Review Posted Online: May 13, 2018
Kirkus Reviews Issue: Dec. 1, 2018
Share your opinion of this book
More by Nosy Crow
BOOK REVIEW
by Nosy Crow ; illustrated by Gerry Turley
BOOK REVIEW
by Nosy Crow ; illustrated by The Trustees of the British Museum
BOOK REVIEW
by Nosy Crow ; illustrated by Gerry Turley
by Savannah Guthrie & Allison Oppenheim ; illustrated by Eva Byrne ‧ RELEASE DATE: Sept. 12, 2017
Skip it
This book wants to be feminist.
Princess Penelope Pineapple, illustrated as a white girl with dark hair and eyes, is the Amelia Bloomer of the Pineapple Kingdom. She has dresses, but she prefers to wear pants as she engages in myriad activities ranging from yoga to gardening, from piloting a plane to hosting a science fair. When it’s time for the Pineapple Ball, she imagines wearing a sparkly pants outfit, but she worries about Grand Lady Busyboots’ disapproval: “ ‘Pants have no place on a lady!’ she’d say. / ‘That’s how it has been, and that’s how it shall stay.’ ” In a moment of seeming dissonance between the text and art, Penny seems to resolve to wear pants, but then she shows up to the ball in a gown. This apparent contradiction is resolved when the family cat, Miss Fussywiggles, falls from the castle into the moat and Princess Penelope saves her—after stripping off her gown to reveal pink, flowered swimming trunks and a matching top. Impressed, Grand Lady Busyboots resolves that princesses can henceforth wear whatever they wish. While seeing a princess as savior rather than damsel in distress may still seem novel, it seems a stretch to cast pants-wearing as a broadly contested contemporary American feminist issue. Guthrie and Oppenheim’s unimaginative, singsong rhyme is matched in subtlety by Byrne’s bright illustrations.
Skip it . (Picture book. 3-5)Pub Date: Sept. 12, 2017
ISBN: 978-1-4197-2603-3
Page Count: 32
Publisher: Abrams
Review Posted Online: July 1, 2017
Kirkus Reviews Issue: July 15, 2017
Share your opinion of this book
More by Savannah Guthrie
BOOK REVIEW
by Savannah Guthrie & Allison Oppenheim illustrated by Eva Byrne
by Bob Marley & adapted by Cedella Marley & illustrated by Vanessa Brantley-Newton ‧ RELEASE DATE: Oct. 5, 2011
Though this celebration of community is joyful, there just is not much here.
A sugary poem, very loosely based on the familiar song, lacks focus.
Using only the refrain from the original (“One love, one heart, let’s get together and feel all right!”), the reggae great’s daughter Cedella Marley sees this song as her “happy song” and adapts it for children. However, the adaptation robs it of life. After the opening lines, readers familiar with the original song (or the tourism advertisement for Jamaica) will be humming along only to be stopped by the bland lines that follow: “One love, what the flower gives the bee.” and then “One love, what Mother Earth gives the tree.” Brantley-Newton’s sunny illustrations perfectly reflect the saccharine quality of the text. Starting at the beginning of the day, readers see a little girl first in bed, under a photograph of Bob Marley, the sun streaming into her room, a bird at the window. Each spread is completely redundant—when the text is about family love, the illustration actually shows little hearts floating from her parents to the little girl. An image of a diverse group getting ready to plant a community garden, walking on top of a river accompanies the words “One love, like the river runs to the sea.”
Though this celebration of community is joyful, there just is not much here. (afterword) (Picture book. 3-5)Pub Date: Oct. 5, 2011
ISBN: 978-1-4521-0224-5
Page Count: 32
Publisher: Chronicle Books
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: Sept. 15, 2011
Share your opinion of this book
More by Bob Marley
BOOK REVIEW
by Bob Marley ; adapted by Cedella Marley ; illustrated by Alea Marley
BOOK REVIEW
by Bob Marley ; adapted by Cedella Marley ; illustrated by John Jay Cabuay
BOOK REVIEW
by Bob Marley & adapted by Cedella Marley & illustrated by Vanessa Brantley-Newton
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.