A fascinating, vividly written story about city and community that will change perceptions about the local farmers market.

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FARM CITY

THE EDUCATION OF AN URBAN FARMER

Urban eccentricity meets rural thrift and tradition in a charming debut memoir about the author’s farm in downtown Oakland.

Carpenter, the progeny of two hippies whose attempt to go “back to the land” ended in near disaster, was drawn to farming yet unwilling to give up the cultural and intellectual perks of an urban environment: museums, bars, libraries, etc. Already an amateur apiarist and avid gardener, she moved with her husband from the Seattle suburbs to “Ghost Town” Oakland, attracted by its energy and diversity, undeterred by the nightly drive-bys. Of equal interest to the author was the garbage-filled abandoned lot next door. Soon, her visions of heirloom tomatoes, peach trees, fresh squash, even watermelons, became a reality. Inspired, she added a few chickens, then some ducks, geese, two turkeys, a few rabbits and two pigs. Carpenter found herself increasingly enveloped in the beautiful yet brutal circle of life that rules a farm. She gives heart-rending descriptions of her emotions when stray dogs killed one of the turkeys, but also admits that she intended to harvest the remaining bird for Thanksgiving dinner. In warm, witty prose, she describes feeding her livestock with scraps foraged from neighboring restaurants, as well as visits from local children, Vietnamese monks and eccentric neighbors, many of whom joined the author for meals and enjoyed the fruits of her labors. The special relationship between farmer and food was driven home for Carpenter when a local chef taught her traditional rural Italian techniques for harvesting every part of her pigs to create delicacies from headcheese and pork broth to prosciutto and salami. Experiencing Carpenter’s trials and tribulations, readers will get an honest portrait of where meals come from and an understanding that connecting with the food chain, even in the smallest ways, can enrich the palate and the soul.

A fascinating, vividly written story about city and community that will change perceptions about the local farmers market.

Pub Date: June 15, 2009

ISBN: 978-1-59420-221-6

Page Count: 278

Publisher: Penguin Press

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: May 1, 2009

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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