Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2022


  • Kirkus Prize
  • Kirkus Prize
    finalist


  • New York Times Bestseller


  • IndieBound Bestseller


  • NBCC Gregg Barrios Book in Translation Prize Finalist

Next book

THE BOOKS OF JACOB

A massive achievement that will intrigue and baffle readers for years to come.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2022


  • Kirkus Prize
  • Kirkus Prize
    finalist


  • New York Times Bestseller


  • IndieBound Bestseller


  • NBCC Gregg Barrios Book in Translation Prize Finalist

A charismatic figure traverses Europe, followers in tow.

The latest novel by the Polish Nobel Prize winner to appear in English is a behemoth, both in size and subject matter: At nearly 1,000 pages, the book tackles the mysteries of heresy and faith, organized religion and splinter sects, 18th-century Polish and Lithuanian history, and some of the finer points of cabalist and Hasidic theology. At its center is the historical figure Jacob Frank, who, in the mid-1750s, was believed to be the Messiah by a segment of Jews in what is now Ukraine. Jacob preached that the end times had come and that morality, as embodied by the Ten Commandments, had been turned on its head. He led his followers to convert first to Islam and then, later, to Christianity. He himself was accused of heresy by all three major groups. Tokarczuk’s account is made up of short sections that alternate among various points of view. These include some of Jacob’s followers, a bishop with a gambling problem, a noblewoman who self-interestedly supports the “Contra-Talmudists’ ” attempt to convert to Christianity, and Jacob’s grandmother Yente, who is neither dead nor entirely alive, a state that allows her consciousness to roam widely, observing the novel’s action. Gritty details about the realities of daily life at the time alternate with dense passages in which Jacob’s followers argue about theology. “The struggle is about leaving behind that point where we divide everything into evil and good,” one says, “light and darkness, getting rid of all those foolish divisions and from there starting a new order all over again.” The book (which has been beautifully translated into English by Croft) has been widely hailed as Tokarczuk’s magnum opus, and it will likely take years, if not decades, to begin to unravel its rich complexities.

A massive achievement that will intrigue and baffle readers for years to come.

Pub Date: Feb. 1, 2022

ISBN: 978-0-593-08748-0

Page Count: 992

Publisher: Riverhead

Review Posted Online: Dec. 14, 2021

Kirkus Reviews Issue: Jan. 1, 2022

Awards & Accolades

Likes

  • Readers Vote
  • 11


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

INTERMEZZO

Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.

Awards & Accolades

Likes

  • Readers Vote
  • 11


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Two brothers—one a lawyer, one a chess prodigy—work through the death of their father, their complicated romantic lives, and their even more tangled relationship with each other.

Ten years separate the Koubek brothers. In his early 30s, Peter has turned his past as a university debating champ into a career as a progressive lawyer in Dublin. Ivan is just out of college, struggling to make ends meet through freelance data analysis and reckoning with his recent free fall in the world chess rankings. When their father dies of cancer, the cracks in the brothers’ relationship widen. “Complete oddball” Ivan falls in love with an older woman, an arts center employee, which freaks Peter out. Peter juggles two women at once: free-spirited college student Naomi and his ex-girlfriend Sylvia, whose life has changed drastically since a car accident left her in chronic pain. Emotional chaos abounds. Rooney has struck a satisfying blend of the things she’s best at—sensitively rendered characters, intimacies, consideration of social and philosophical issues—with newer moves. Having the book’s protagonists navigating a familial rather than romantic relationship seems a natural next step for Rooney, with her astutely empathic perception, and the sections from Peter’s point of view show Rooney pushing her style into new territory with clipped, fragmented, almost impressionistic sentences. (Peter on Sylvia: “Must wonder what he’s really here for: repentance, maybe. Bless me for I have. Not like that, he wants to tell her. Why then. Terror of solitude.”) The risk: Peter comes across as a slightly blurry character, even to himself—he’s no match for the indelible Ivan—so readers may find these sections less propulsive at best or over-stylized at worst. Overall, though, the pages still fly; the characters remain reach-out-and-touch-them real.

Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.

Pub Date: Sept. 24, 2024

ISBN: 9780374602635

Page Count: 464

Publisher: Farrar, Straus and Giroux

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Prize
  • Kirkus Prize
    finalist


  • New York Times Bestseller

Next book

THE MIGHTY RED

In this tender and capacious story, love and tragedy mingle along the river and into the world.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Prize
  • Kirkus Prize
    finalist


  • New York Times Bestseller

The Red River of the North cuts a vivid track through the hardscrabble lives that anchor Erdrich’s surpassing North Dakota fiction.

This deft, almost winsome novel begins at night, with Crystal Frechette, a trucker. She’s hauling sugar beets and wearing “a lucky hat knitted by her daughter,” Kismet Poe. Her headlights are “peacefully cutting radiant holes in the blackness” when she glimpses a mountain lion vault across the road. It’s a sign, but of what? Kismet, finishing high school, is edgy, furious, and bored. Both Gary Geist, her school’s quarterback, and Hugo Dumach, a nerdy home-schooler, fixate on her as the angel destined to slay their wildly divergent demons. This nutty love triangle kickstarts the plot; Kismet, in a futile stab at avoiding teen marriage, slips from a bridge into the cold Red River, floating downstream until she’s rescued. But true love here is the kind between mother and daughter. This pair, beset by the 2008 economic meltdown, proves expert in “getting trapped but at least not giving up.” Around them, a recent, communal catastrophe on the frozen river stays murky through three-quarters of the story. In counterpoint, the town’s daffy book club dissects Eat Pray Love and The Road, each session blooming into comic set pieces. Erdrich reaches for some of her fictional staples: a waitressing gig, multiple viewpoints, and, always, mixed-heritage Native people trying to grasp and transmit that heritage. Her writing feels both effortless and wise. She notes a boy’s “shy armpits” and how a soundproofed house can feel “inhuman, maybe even violent.” Even if a minor character, the Catholic priest, bogs down in caricature, Erdrich has few equals in braiding landscape and sky into the marrow of her characters. Her poet’s origins are in full force as she folds in the sickening damage of fracking and pesticide-dependent agriculture, right alongside the sprouts of resistance.

In this tender and capacious story, love and tragedy mingle along the river and into the world.

Pub Date: Oct. 1, 2024

ISBN: 9780063277052

Page Count: 384

Publisher: Harper/HarperCollins

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

Close Quickview