by Oliver Jeffers & illustrated by Oliver Jeffers developed by Bold Creative ‧ RELEASE DATE: June 28, 2011
Jeffers received a heap of critical acclaim for the print version of this memorable storybook. The narrative chronicles a...
After an elderly loved one departs, a young girl puts her heart in a bottle to try to weather the grief.
Jeffers received a heap of critical acclaim for the print version of this memorable storybook. The narrative chronicles a little girl’s attempt to protect herself from the pain of losing a loved one and abstractly confronts the complexities of grief. Jeffers’ clean, visceral artwork translates beautifully to the tablet screen and is brought to life by numerous interactive options. Each page offers a hint that leads to hidden elements that can be triggered by tapping, swiping, tilting or shaking the device. A scrolling storyboard makes it easy to locate and skip to various pages, but there are a couple of technological oversights and glitches that make this adaptation a little rough. Helena Bonham Carter narrates, but there’s no autoplay or read-to-me option; voiced narration must be prompted on each individual page, which gets old. And while the interactive components are interesting and organic to the story, it sometimes takes several tries to activate them. Still, the magical interactivity, the aesthetic presentation and the poignant story itself outweigh the app’s few technological hiccups.Pub Date: June 28, 2011
ISBN: N/A
Page Count: -
Publisher: Penguin
Review Posted Online: Aug. 15, 2011
Kirkus Reviews Issue: Sept. 15, 2011
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by Pete Seeger & Paul Dubois Jacobs & illustrated by Michael Hays ‧ RELEASE DATE: Oct. 1, 2001
The seemingly ageless Seeger brings back his renowned giant for another go in a tuneful tale that, like the art, is a bit sketchy, but chockful of worthy messages. Faced with yearly floods and droughts since they’ve cut down all their trees, the townsfolk decide to build a dam—but the project is stymied by a boulder that is too huge to move. Call on Abiyoyo, suggests the granddaughter of the man with the magic wand, then just “Zoop Zoop” him away again. But the rock that Abiyoyo obligingly flings aside smashes the wand. How to avoid Abiyoyo’s destruction now? Sing the monster to sleep, then make it a peaceful, tree-planting member of the community, of course. Seeger sums it up in a postscript: “every community must learn to manage its giants.” Hays, who illustrated the original (1986), creates colorful, if unfinished-looking, scenes featuring a notably multicultural human cast and a towering Cubist fantasy of a giant. The song, based on a Xhosa lullaby, still has that hard-to-resist sing-along potential, and the themes of waging peace, collective action, and the benefits of sound ecological practices are presented in ways that children will both appreciate and enjoy. (Picture book. 5-9)
Pub Date: Oct. 1, 2001
ISBN: 0-689-83271-0
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2001
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adapted by Pete Seeger & illustrated by Wendy Anderson Halperin
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by Dav Pilkey ; illustrated by Dav Pilkey ; color by Jose Garibaldi ‧ RELEASE DATE: Dec. 26, 2017
More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low.
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Recasting Dog Man and his feline ward, Li’l Petey, as costumed superheroes, Pilkey looks East of Eden in this follow-up to Tale of Two Kitties (2017).
The Steinbeck novel’s Cain/Abel motif gets some play here, as Petey, “world’s evilest cat” and cloned Li’l Petey’s original, tries assiduously to tempt his angelic counterpart over to the dark side only to be met, ultimately at least, by Li’l Petey’s “Thou mayest.” (There are also occasional direct quotes from the novel.) But inner struggles between good and evil assume distinctly subordinate roles to riotous outer ones, as Petey repurposes robots built for a movie about the exploits of Dog Man—“the thinking man’s Rin Tin Tin”—while leading a general rush to the studio’s costume department for appropriate good guy/bad guy outfits in preparation for the climactic battle. During said battle and along the way Pilkey tucks in multiple Flip-O-Rama inserts as well as general gags. He lists no fewer than nine ways to ask “who cut the cheese?” and includes both punny chapter titles (“The Bark Knight Rises”) and nods to Hamiltonand Mary Poppins. The cartoon art, neatly and brightly colored by Garibaldi, is both as easy to read as the snappy dialogue and properly endowed with outsized sound effects, figures displaying a range of skin colors, and glimpses of underwear (even on robots).
More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low. (drawing instructions) (Graphic fantasy. 7-10)Pub Date: Dec. 26, 2017
ISBN: 978-0-545-93518-0
Page Count: 256
Publisher: Graphix/Scholastic
Review Posted Online: May 13, 2018
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