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THE HUNGER SAINT

From the Via Folios series , Vol. 120

A well-crafted and affecting literary tale about a young Italian miner.

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A debut novella tells the story of child workers laboring in Sicily’s sulfur mines.

Sicily, 1948. After his father is killed in a mining accident, 12-year-old Ntoni is sent by his mother to take the dead man’s place: “She signed Ntoni over to the Miniera Cozzo Disi mines to work off the soccorso morto, a loan given to his family on the promise of his labor.” The contract is for seven years. As one of the carusi—or child miners—Ntoni faces backbreaking conditions that will likely lead to a premature death. He has no recourse but to pray to St. Calogero, the Hunger Saint, and hope that his indentured servitude will pass quickly. When the mine’s mechanic, Ziu Peppi, tells the boy that his father had been putting money away to immigrate to France, Ntoni is offered the same opportunity. He could escape his life and build a new one abroad, though he is unsure what this might mean for his family and its debt with the mining company. His mother assures him that his father had planned no such thing, but Ntoni decides to trust the mechanic—though to trust anyone, it turns out, may be just as dangerous as gas pockets, tunnel collapses, and the brutality of the mine bosses. Cerrone tells her story in a deliberative prose flecked with Italian terms and mining jargon, perfectly evoking both the setting and time period of this piece of historical fiction. The tale brings to mind American literary realism of the early 20th century—Upton Sinclair, Jack London—as well as the books of midcentury Sicilian writers like Leonardo Sciascia. Cerrone uses Ntoni’s experiences to shed light on the little-remembered soccorso morto practice, which held thousands of children in virtual slavery. The most memorable elements of the novella are the horrific conditions in which Ntoni and his peers must toil: “Each month at least one miner or caruso perished in some way. Yet they continued to work, resigned to their proximity to death.” In this proximity, Cerrone seeks to discover the necessities of life.

A well-crafted and affecting literary tale about a young Italian miner.

Pub Date: April 11, 2017

ISBN: 978-1-59954-106-8

Page Count: 120

Publisher: Bordighera Press

Review Posted Online: March 15, 2017

Kirkus Reviews Issue: April 15, 2017

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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