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THE HUNGER SAINT

From the Via Folios series , Vol. 120

A well-crafted and affecting literary tale about a young Italian miner.

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A debut novella tells the story of child workers laboring in Sicily’s sulfur mines.

Sicily, 1948. After his father is killed in a mining accident, 12-year-old Ntoni is sent by his mother to take the dead man’s place: “She signed Ntoni over to the Miniera Cozzo Disi mines to work off the soccorso morto, a loan given to his family on the promise of his labor.” The contract is for seven years. As one of the carusi—or child miners—Ntoni faces backbreaking conditions that will likely lead to a premature death. He has no recourse but to pray to St. Calogero, the Hunger Saint, and hope that his indentured servitude will pass quickly. When the mine’s mechanic, Ziu Peppi, tells the boy that his father had been putting money away to immigrate to France, Ntoni is offered the same opportunity. He could escape his life and build a new one abroad, though he is unsure what this might mean for his family and its debt with the mining company. His mother assures him that his father had planned no such thing, but Ntoni decides to trust the mechanic—though to trust anyone, it turns out, may be just as dangerous as gas pockets, tunnel collapses, and the brutality of the mine bosses. Cerrone tells her story in a deliberative prose flecked with Italian terms and mining jargon, perfectly evoking both the setting and time period of this piece of historical fiction. The tale brings to mind American literary realism of the early 20th century—Upton Sinclair, Jack London—as well as the books of midcentury Sicilian writers like Leonardo Sciascia. Cerrone uses Ntoni’s experiences to shed light on the little-remembered soccorso morto practice, which held thousands of children in virtual slavery. The most memorable elements of the novella are the horrific conditions in which Ntoni and his peers must toil: “Each month at least one miner or caruso perished in some way. Yet they continued to work, resigned to their proximity to death.” In this proximity, Cerrone seeks to discover the necessities of life.

A well-crafted and affecting literary tale about a young Italian miner.

Pub Date: April 11, 2017

ISBN: 978-1-59954-106-8

Page Count: 120

Publisher: Bordighera Press

Review Posted Online: March 15, 2017

Kirkus Reviews Issue: April 15, 2017

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TRUE BETRAYALS

Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.

Pub Date: June 13, 1995

ISBN: 0-399-14059-X

Page Count: 400

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1995

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HOME FRONT

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...

 The traumatic homecoming of a wounded warrior.

The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart. 

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.

Pub Date: Jan. 31, 2012

ISBN: 978-0-312-57720-9

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Dec. 18, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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