A melancholic but multicolored apocalyptic tale told with originality.
Seeking a friend and forgiveness at the end of the world.
It’s been two years since the zombielike outbreak started, but life in the walled city of Weimar, Germany, is relatively safe. The hospital warden dotes on once-blond Vivi, even obtaining pink hair dye for her, but nevertheless sends her to the barricade to help fend off the hungry hordes. After a bite puts a sudden end to a fleeting new friendship, Vivi ends up on the run with irritated (and now infected) fellow fighter Eva. Caught in the wilderness beyond the walls, auburn-haired Eva repeatedly and reluctantly saves the hapless Vivi. Opposites in lethality, both are haunted by the dead—Vivi by those she couldn’t save and Eva by those she’s killed. The palette is vivid and warm, an unusually cheerful choice for a typically bleak subject, with hints of a manga influence. Although the undead—here, blank-eyed biters, some sprouting vines and tendrils—follow the usual zombie behaviors, the tale deviates from some standard tropes, beginning in media res, with characters aware of the infection but not all-knowing, and throwing a curveball of a conclusion. Offering minimal history and concrete context, Vieweg offers an art-house take on a normally gory and typically action-packed subject and focuses on the now, rather than the how, of the apocalypse. Main human characters are white.
A melancholic but multicolored apocalyptic tale told with originality. (Graphic horror. 14-18)Pub Date: Sept. 1, 2020
ISBN: 978-1-5415-8392-4
Page Count: 288
Publisher: Graphic Universe
Review Posted Online: June 15, 2020
Kirkus Reviews Issue: July 1, 2020
A welcome hit into the outfield of books about queer athletes.
A closeted teen steps up to the plate for a cute boy—and himself.
After jocks ridicule and knock over his history class presentation, freshman Jonah picks up the pieces. Cute classmate Elliot helps. That small act of kindness makes sparks fly, cuing confusing feelings. Jonah decides to join the baseball team to get closer to Elliot—even if it means enduring more bullying from the other teammates. But Coach Jackson sees Jonah’s athletic potential and takes him under his wing. As the plot follows the four baseball seasons until Jonah’s graduation, Jonah slowly goes from laughingstock to star. But does he ever truly fit in? Cartoonist and editor Newman’s semiautobiographical graphic novel debut is a heartfelt tale of self-discovery. Consolidating all four years of high school into one book makes for a quick pace. Clever paneling and nearly wordless sequences effectively pump the brakes for key moments—and show glimpses of Jonah’s wild imagination. Despite the rampant bro culture and homophobia of the aughts setting, multiple queer characters of all ages at various stages of coming out add an important sense of community and possibility. A subplot about a female teammate briefly touches on sexism. Though the ensemble cast is diverse in skin tone, the majority of the main cast present white; Coach Jackson is Black.
A welcome hit into the outfield of books about queer athletes. (author’s note, process notes, resources) (Graphic fiction. 14-17)Pub Date: March 26, 2024
ISBN: 9781524884826
Page Count: 304
Publisher: Andrews McMeel Publishing
Review Posted Online: Dec. 16, 2023
Kirkus Reviews Issue: Jan. 15, 2024
A triumphant queer coming-of-age story that will make your heart ache and soar.
A 17-year-old struggles to navigate friendship and finding herself while navigating a toxic relationship.
Biracial (East Asian and white) high schooler Freddy is in love with white Laura Dean. She can’t help it—Laura oozes cool. But while Freddy’s friends are always supportive of her, they can’t understand why she stays with Laura. Laura cheats on Freddy, gaslights and emotionally manipulates her, and fetishizes her. After Laura breaks up with her for a third time, Freddy writes to an advice columnist and, at the recommendation of her best friend Doodle, (reluctantly) sees a psychic who advises her that in order to break out of the cycle of her “non-monogamous swing-your-partner wormhole,” Freddy needs to do the breaking up herself. As she struggles to fall out of love and figure out how to “break up with someone who’s broken up with me,” Freddy slowly begins to be drawn back into Laura’s orbit, challenging her relationships with her friends as she searches for happiness. Tamaki (Supergirl, 2018, etc.) explores the nuances of both romantic and platonic relationships with raw tenderness and honesty. Valero-O’Connell’s (Lumberjanes: Bonus Tracks, 2018, etc.) art is realistic and expressive, bringing the characters to life through dynamic grayscale illustrations featuring highlights of millennial pink. Freddy and her friends live in Berkeley, California, and have a diversity of body shapes, gender expressions, sexualities, and skin tones.
A triumphant queer coming-of-age story that will make your heart ache and soar. (Graphic novel. 14-adult)Pub Date: May 7, 2019
ISBN: 978-1-62672-259-0
Page Count: 304
Publisher: First Second
Review Posted Online: March 6, 2019
Kirkus Reviews Issue: April 1, 2019
SEEN & HEARD
BOOK TO SCREEN
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