A perceptive and vigorous tale of people trapped in dire circumstances.
People struggle to survive in a South African city teeming with criminals and killers in Nwelue’s novel.
Nigerian artist Osas believes a fortune awaits him in Johannesburg. But when all he finds there is a thankless restaurant job, he joins a Nigerian cartel in South Africa. Osas takes part in local cocaine deals and steals from foreigners in order to appease his new boss, a known murderer. Along the way, he unsurprisingly provokes rival drug-dealing gangsters, and getting help from police would effectively sign Osas’ death warrant. Meanwhile, Chamai, a Canadian-born Zimbabwean, also hopes for a better life in SA. But although he wants to fund his education, he barely has money for food, so he turns to sex work, catering to the desires of sometimes-violent wealthy men. Osas’ and Chamai’s parallel stories take equally dark paths: Osas and the cartel turn their guns against another gang while Chamai plummets into despair and willingly becomes a killer. Neither man may be able to escape the city’s seemingly endless cycle of brutality. Nwelue’s somber tale is filled with despondency. The two leads are tragic characters, particularly Chamai, whose torture by a foreign client is the novel’s bleakest scene. However, they’re both easy to root for even as they commit crimes out of desperation. The author frequently provides incisive lines, as when a humorless Chamai notes, “You do not laugh at jokes when you feel you are the punchline.” There are a few lighter moments, though, which alleviate the intensity. The dialogue, which consists primarily of pidgin English, may confuse readers unfamiliar with the dialect, but the well-established characters all have clear motivations in an easy-to-follow plot.
A perceptive and vigorous tale of people trapped in dire circumstances.Pub Date: June 1, 2021
ISBN: 978-1-77727-565-5
Page Count: 210
Publisher: Griots Lounge Publishing Canada
Review Posted Online: March 25, 2021
Kirkus Reviews Issue: May 1, 2021
Review Program: Kirkus Indie
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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