A suspense-driven, sometimes erotic tale with impressive characters.


A Los Angeles literary agent’s new prosperous and alluring client may be a serial killer in Gold’s debut romantic thriller.

Twenty-three-year-old Zia Lennox hasn’t had much success in her two years at Spark Worldwide Literary. But she knows she’s found something special in a submission she’s recently received. Though Chiseled Bone is crime fiction, a genre other agents have written off as dead, Zia feels the genre is ready for a comeback. Her intuition pays off, as she and New York–based Chiseled Bone author Baxter Leopold are triumphant. Around the same time, Zia catches the attention of investment attorney Bryce Fink. As her chronic anxiety deters nearly every potential suitor, Zia cautiously enters into a relationship with Bryce. But the two fall for each other, which Baxter subsequently complicates. When Zia finally meets Baxter, their physical connection is instant and scorching, especially because Bryce seems reluctant to have sex with her. However, as Baxter writes additional novels, Zia can’t ignore the similarities between the murders in his books and those of a real-life serial killer in New York. She feels guilt over her ongoing affair but may have much more to worry about once she hires a PI to run a background check on her tantalizing client. Gold derives plenty of suspense from the uncertainty surrounding Baxter; even readers initially don’t know if he’s homicidal. Zia is an able but flawed protagonist torn between her affection for two very different men. Supporting characters are distinctive in their own ways, particularly the women: Zia’s administrative assistant, Jazz, is resolute and charming while condescending Spark agent Makayla makes a perfect antagonist. Gold fills the pages with explicit scenes of sex but rarely misses an opportunity to ramp up tension, as when Baxter is noticeably violent with Zia. Despite the concise prose, the final act, in unmasking the killer, becomes a bit convoluted with a surprise plan of global proportions. There are nevertheless a few effective twists that don’t necessarily involve the murders.

A suspense-driven, sometimes erotic tale with impressive characters.

Pub Date: N/A

ISBN: 978-1-73408-930-1

Page Count: 233

Publisher: Cayélle Publishing: Haze Imprint

Review Posted Online: Dec. 27, 2019

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The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...


Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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