A children’s book that may have trouble finding an audience due to its strange premise, huge cast, and clunky writing.

ZHANE THE BOY TRAIN

A boy is struck by lightning, makes a wish, and is magically transformed in this lengthy picture-book debut.

Zhane Sparks and his friends win a basketball tournament against their rivals, a team of bullies. Zhane credits his big brother and his lucky toy train for helping them to victory. Showing their team spirit and good sportsmanship, the boys and their coach congratulate the other team for a game well played. As Zhane and his pals head to Zhane’s house to celebrate, he’s struck by lightning. Despite the rainstorm, he spots a shooting star and wishes not to die; in the next moment, he’s magically transformed into a train with a boy’s head and arms. Zhane’s friends and family—as well as a scientist, who is only briefly introduced—get inside the train, where they meet a robot assigned to assist Zhane on a quest. As it turns out, Zhane must collect at least 25 objects from various locations that the scientist will use to make a formula to turn him back into a boy. Although there are numerous illustrations in this book, the dense text makes it more appropriate for readers who are just starting to pick up chapter books. The huge cast makes it difficult to keep the various characters straight, especially as Zhane’s friends have very few details to identify them and match them to the illustrations. Yami’s cartoonlike color artwork features a diverse array of people in a Baltimore setting. Some images, however, don’t match the tone of the text; one, in which Zhane is struck by lightning, shows him simultaneously smiling up at the sky. Readers may also be frustrated that the rivalry between the two basketball teams is quickly abandoned, and the stilted prose (“The news reporter made it to the center of the circle....He puts the microphone to Coach Bennett’s mouth”) is likely to confuse beginning readers.

A children’s book that may have trouble finding an audience due to its strange premise, huge cast, and clunky writing.

Pub Date: Nov. 22, 2016

ISBN: 978-1-5332-1620-5

Page Count: 104

Publisher: CreateSpace

Review Posted Online: March 26, 2020

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An invitation to wonder, imagine and look at everything (humans included) in a new way.

NOAH CHASES THE WIND

A young boy sees things a little differently than others.

Noah can see patterns in the dust when it sparkles in the sunlight. And if he puts his nose to the ground, he can smell the “green tang of the ants in the grass.” His most favorite thing of all, however, is to read. Noah has endless curiosity about how and why things work. Books open the door to those answers. But there is one question the books do not explain. When the wind comes whistling by, where does it go? Noah decides to find out. In a chase that has a slight element of danger—wind, after all, is unpredictable—Noah runs down streets, across bridges, near a highway, until the wind lifts him off his feet. Cowman’s gusty wisps show each stream of air turning a different jewel tone, swirling all around. The ribbons gently bring Noah home, setting him down under the same thinking tree where he began. Did it really happen? Worthington’s sensitive exploration leaves readers with their own set of questions and perhaps gratitude for all types of perspective. An author’s note mentions children on the autism spectrum but widens to include all who feel a little different.

An invitation to wonder, imagine and look at everything (humans included) in a new way. (Picture book. 4-8)

Pub Date: April 14, 2015

ISBN: 978-1-60554-356-7

Page Count: 32

Publisher: Redleaf Lane

Review Posted Online: Feb. 3, 2015

Kirkus Reviews Issue: Feb. 15, 2015

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TO MARKET, TO MARKET

A marketing trip from Miranda (Glad Monster, Sad Monster, p. 1309) that jiggity jigs off in time-honored nursery-rhyme fashion, but almost immediately derails into well-charted chaos. The foodstuffs—the fat pig, the red hen, the plump goose, the pea pods, peppers, garlic, and spice—are wholly reasonable in light of the author's mention of shopping at traditional Spanish mercados, which stock live animals and vegetables. Stevens transfers the action to a standard American supermarket and a standard American kitchen, bringing hilarity to scenes that combine acrylics, oil pastels, and colored pencil with photo and fabric collage elements. The result is increasing frazzlement for the shopper, an older woman wearing spectacles, hat, and purple pumps (one of which is consumed by her groceries). It's back to market one last time for ingredients for the hot vegetable soup she prepares for the whole bunch. True, her kitchen's trashed and she probably won't find a welcome mat at her supermarket hereafter, but all's well that ends well—at least while the soup's on. (Picture book. 4-8)

Pub Date: Oct. 1, 1997

ISBN: 0-15-200035-6

Page Count: 36

Publisher: Harcourt

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Oct. 15, 1997

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