by Óscar Martínez translated by Daniela Maria Ugaz & John Washington ‧ RELEASE DATE: March 8, 2016
Smart, angry immersive journalism from an author who warrants wider readership on this side of the border.
Hard-hitting exploration of the violence visited by globalization and the narco-economy upon Nicaragua, El Salvador, Honduras, and Guatemala.
Human Rights Prize–winning journalist Martínez (The Beast: Riding the Rails and Dodging Narcos on the Migrant Trail, 2013) follows up his grisly, underdiscussed debut investigation of human trafficking with a similarly unflinching account of the circumstances and communities involved in the ongoing migrant crisis. “I want you to understand what thousands of Central Americans are going through,” he writes. The author argues that the American expulsion of first-generation Mara Salvatrucha and other Central American refugee gangs led to the violent groups’ expansion back home: “What the United States has tried to flush away has rather multiplied.” Simultaneously, Mexican cartels (notably the brutal Los Zetas) firmed up their transshipment routes through these countries’ rural, impoverished regions; this conjunction has resulted in the highest murder rates in the hemisphere, in areas where law enforcement is undersupported and easily corrupted. Martínez draws readers into this complex narrative by alternating between a panoramic social sweep and the beleaguered lives of civilians, victims, gang members, and cops, capturing the multilayered nature of a place whose indigenous traditions are being brutalized by modern criminals who commit murder casually. The punchy short chapters capture shocking tableaux of violence in distanced, nearly wry prose, with some characters and crimes recurring. The author follows one hardened gangster who’s obsessed with his own inevitable murder: “It’s clear that El Nino was recognized in the town as someone destined to die.” Absurdity is captured in the account of investigators facing the Sisyphean task of excavating a rural well known to be packed with corpses. Martínez returns to his earlier topic, portraying the cruelty of the migrant experience: “What you think is stupid sitting at home can be the most logical thing in the world on the trails.”
Smart, angry immersive journalism from an author who warrants wider readership on this side of the border.Pub Date: March 8, 2016
ISBN: 978-1-78478-168-2
Page Count: 272
Publisher: Verso
Review Posted Online: Dec. 16, 2015
Kirkus Reviews Issue: Jan. 1, 2016
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by Óscar Martínez & Juan José Martínez translated by John B. Washington & Daniela Ugaz
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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