Opinions may differ about the story’s sublimity; here it’s been made ridiculous.
The richly sentimental 19th-century tale gets a 21st-century setting.
Poor artistic decisions stymie a worthy effort. Preserved here unaltered (though printed in teeny-tiny type), Wilde’s economically written original makes for, as ever, stately, sonorous reading, aloud or otherwise. Visually, Bowman’s eye-filling garden scenes sandwich genuinely shiver-inducing tangles of dry stalks swathed in frost and snow between, in better seasons, views of luxuriant masses of outsized flowers and greenery. The giant is a red-haired, white gent in moderately antique clothing…but the tiny children he chases away (and later welcomes back) are a racially diverse lot in school uniforms and sporting backpacks and hula hoops. Taped-up advertisements on the outside of the giant’s wall and other details further add to the understated contemporary air, and the smallest child, who comes back at the end bearing stigmata to welcome the now-elderly giant to his garden, has an unruly shock of dark hair and an olive complexion. All of this updating comes to naught, though, because with supreme disregard for the story’s essentially solemn tone and cadences, Bowman arbitrarily sticks in silly bits—first depicting Hail as a baboon with a bright red butt (the garden’s other winter residents are at least embodied as northern animals) and then in a climactic scene putting the giant into humongous footie pajamas decorated with bunnies and carrots. Talk about discordant notes.
Opinions may differ about the story’s sublimity; here it’s been made ridiculous. (Picture book. 6-9)Pub Date: April 1, 2019
ISBN: 978-1-64170-126-6
Page Count: 32
Publisher: Familius
Review Posted Online: Dec. 15, 2018
Kirkus Reviews Issue: Jan. 15, 2019
An uncomplicated opener, with some funny bits and a clear but not heavy agenda.
Hank Zipzer, poster boy for dyslexic middle graders everywhere, stars in a new prequel series highlighting second-grade trials and triumphs.
Hank’s hopes of playing Aqua Fly, a comic-book character, in the upcoming class play founder when, despite plenty of coaching and preparation, he freezes up during tryouts. He is not particularly comforted when his sympathetic teacher adds a nonspeaking role as a bookmark to the play just for him. Following the pattern laid down in his previous appearances as an older child, he gets plenty of help and support from understanding friends (including Ashley Wong, a new apartment-house neighbor). He even manages to turn lemons into lemonade with a quick bit of improv when Nick “the Tick” McKelty, the sneering classmate who took his preferred role, blanks on his lines during the performance. As the aforementioned bully not only chokes in the clutch and gets a demeaning nickname, but is fat, boastful and eats like a pig, the authors’ sensitivity is rather one-sided. Still, Hank has a winning way of bouncing back from adversity, and like the frequent black-and-white line-and-wash drawings, the typeface is designed with easy legibility in mind.
An uncomplicated opener, with some funny bits and a clear but not heavy agenda. (Fiction. 7-9)Pub Date: Feb. 14, 2014
ISBN: 978-0-448-48239-2
Page Count: 128
Publisher: Grosset & Dunlap
Review Posted Online: Dec. 10, 2013
Kirkus Reviews Issue: Jan. 1, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
There’s lots to see and do in this big city.
A set of panoramic views of the urban environment: inside and out, above and belowground, at street level and high overhead.
Thanks to many flaps, pull tabs, spinners, and sliders, viewers can take peeks into stores and apartments, see foliage change through the seasons in a park, operate elevators, make buildings rise and come down, visit museums and municipal offices, take in a film, join a children’s parade, marvel as Christmas decorations go up—even look in on a wedding and a funeral. Balicevic populates each elevated cartoon view with dozens of tiny but individualized residents diverse in age, skin tone, hair color and style, dress, and occupation. He also adds such contemporary touches as an electrical charging station for cars, surveillance cameras, smartphones, and fiber optic cables. Moreover, many flaps conceal diagrammatic views of infrastructure elements like water treatment facilities and sources of electrical power or how products ranging from plate glass and paper to bread, cheese, and T-shirts are manufactured (realistically, none of the workers in the last are white). Baumann’s commentary is largely dispensable, but she does worthily observe on the big final pop-up spread that cities are always changing—often, nowadays, becoming more environmentally friendly.
There’s lots to see and do in this big city. (Informational novelty. 6-9)Pub Date: April 4, 2017
ISBN: 979-1-02760-079-3
Page Count: 22
Publisher: Twirl/Chronicle
Review Posted Online: May 30, 2017
Kirkus Reviews Issue: Dec. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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