For all its ups and downs, well worth having for both its treasures from the past and the demonstration of how much vitality...
Truth in labeling alert: Though all 15 stories veteran anthologist Penzler has collected are by African-American writers, most wouldn’t count as noir.
Practically all the contents are reprints, some from long ago, but apart from Walter Mosley’s “Black Dog” few are likely to be familiar. Generally speaking, the vintage rediscoveries are the best. Although the stories by Pauline E. Hopkins and George S. Schuyler could have been left to rest in peace, Charles W. Chesnutt’s “The Sheriff’s Children” is unexpectedly touching in its portrait of past sins coming home to roost. Rudolph Fisher’s “John Archer’s Nose” spins deft complications out of a family-circle killing. Chester Himes’s “Strictly Business” captures a lost world of black pulp. Alice Dunbar-Nelson’s “Summer Session” turns white slavery into an easygoing anecdote. Ann Petry’s “On Saturday the Siren Sounds at Noon” is a mood piece of disturbing power. The contributions by relative newcomers tend to be more professional but less distinctive. Paula L. Woods, Robert Greer and Eleanor Taylor Bland present routine whodunits. The most interesting thing about Gary Phillips’s caper gone bad and Gar Anthony Haywood’s tale of jealousy and revenge between lifelong friends-turned-enemies is that they really are noir. The standout among the new kids on the block is Edward P. Jones’s “Old Boys, Old Girls,” which crams a lifetime’s worth of jailhouse disillusionment into 30 pages.
For all its ups and downs, well worth having for both its treasures from the past and the demonstration of how much vitality this neglected vein of crime fiction reveals.Pub Date: May 15, 2009
ISBN: 978-1-60598-039-3
Page Count: 368
Publisher: Pegasus
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2009
BOOK REVIEW
BOOK REVIEW
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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