An entertaining collection of stories. Readers with no taste for the uncanny can enjoy two tart anecdotes about capital...



Nineteen reprints with one foot on earth and the other elsewhere.

One of the two biggest surprises here is how generously veteran anthologist Penzler defines the genre: Would anyone else call “The Portrait,” Nikolai Gogol’s allegory of a spooky painting’s power to change lives, or “The Gentleman from San Francisco,” Ivan Bunin’s massively sarcastic meditation on mortality, crime stories? The other is how readily and rewardingly Russian tales of crime turn transcendental. “Sleepy,” Anton Chekhov’s sympathetic evocation of a baby-killer, is as earthbound as “Table Talk, 1888,” Boris Akunin’s morsel of armchair detection, P. Nikitin’s surprisingly idiomatic Sherlock Holmes pastiche “The Strangler,” Lev Sheinen’s Arctic expansion of the locked-room formula in “The Hunting Knife” or Vladimir Nabokov’s macabre resolution of domestic difficulties in “Revenge.” But Maxim Gorky’s portrait of a compulsive killer in “A Strange Murderer” and the showdown between detective and his quarry in Vil Lipatov’s “Genka Paltsev, Son of Dimitri” already suggest a metaphysical dimension that blossoms into full strength in Alexander Pushkin’s spectral fairy tale “The Queen of Spades,” Gogol’s peerless tragicomedy “The Overcoat” and a pair of tales—Leo Tolstoy’s “God Sees the Truth, But Waits” and Chekhov’s “The Bet”—about the casting-off of earthly shackles. Strangest of all is Boris Sokoloff’s “The Crime of Dr. Garine,” whose investigation into a physician’s murder of his much-loved wife ends even more mysteriously than it began.

An entertaining collection of stories. Readers with no taste for the uncanny can enjoy two tart anecdotes about capital punishment—Tolstoy’s “Too Dear” and Chekhov’s “The Head Gardner’s Story”—and Chekhov’s deft and amusing whodunit, “The Swedish Match.” 

Pub Date: Dec. 1, 2010

ISBN: 978-1-60598-135-2

Page Count: 366

Publisher: Pegasus

Review Posted Online: Sept. 30, 2010

Kirkus Reviews Issue: Oct. 15, 2010

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.


Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...


A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.

Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?

Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.

Pub Date: April 2, 2019

ISBN: 978-1-5011-5101-9

Page Count: 352

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Feb. 19, 2019

Kirkus Reviews Issue: March 1, 2019

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