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#WALK

A self-aware political tale for the present day.

A debut philosophical novel tells the story of an insurgent popular political movement.

In #Walk by Ovid House, the characters are reading a volume called #Walk by an author named Ovid House. The back of this work within a work asserts: “This book was written by Ovid House. Ovid House is you, the reader of this novel. The person who wrote this book wants you to see yourself as its author.” The novel calls for a movement to pass an amendment to the Constitution that would make all Americans members of the House of Representatives, increasing their democratic clout. The book becomes a phenomenon. Adherents to its ideas chant and march, spreading the doctrine and alarming the powers that be. All of the supporters identify as Ovid House, just as the book encourages them to do. Eric Rane, the actual author, never intended it to become a real movement, and hides from the world. His ex-girlfriend, Karen Drake, founds an Ovid House-based organization and becomes the movement’s unlikely leader. Jessica Morris is a college student and true believer who sets up an Ovid House chapter at her university. The movement is nonviolent and expresses itself primarily through creativity, but simply questioning the status quo makes it a target for attack from all sides. The difficulties of participating in a crusade with an anonymous leader that encourages everyone to contribute ideas quickly become apparent, as does the tenacity with which the influential in society attempt to keep the movement from spreading. Eric becomes convinced that the real Ovid House must step forward to lead his followers, but is he even the authentic Ovid House anymore? Can his devotees—the many faces of Ovid House—hold together to achieve their revolutionary goals? Author House’s prose is simple and direct, with many nods to the book’s metafictional flourishes. “It’s more entertaining than you’d expect,” says one character, when asked to describe the novel (wink, wink). Appropriately for a work about a grass-roots movement, the author includes places for readers to add their own input: “[Missing chapters: Combine any number of chapters from this work with your own chapters to write a novella about Eric and Karen’s relationship. Submit your novella on Ovidhouse.com.]” The primary engine for the plot is dialogue, usually between two or three of the characters, that gives voice to various concerns of the movement. As such, the characters never feel quite real, more like puppets that the author is using to get his ideas on paper. Even so, more than political philosophy, they discuss their desires and fears at great length, particularly feelings of inadequacy and hopes for a better future. The dialogue is a little stilted, and the movement’s opposition often come across as quite cartoonish, but readers will clearly recognize many strands from recent contemporary life—Occupy Wall Street, Black Lives Matter, Bernie Sanders supporters, the Resistance—as well as debates about campus protest culture and political civility. Is this the launching work of a new revolution, though? Probably not. But we’ll see.

A self-aware political tale for the present day.

Pub Date: March 31, 2018

ISBN: 978-1-73219-365-9

Page Count: 324

Publisher: Time Tunnel Media

Review Posted Online: July 17, 2018

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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