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MARBLES

Name: MARBLES
Author: Oxford Stroud
ISBN: 0-15-157055-8

by Oxford Stroud ‧ RELEASE DATE: Oct. 1, 1991

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A first novel that is no more than a loose arrangement of scenes from a Depression-era, Deep South childhood. Silas O'Riley Simeon describes some episodes in his life in the small town of Deen, Alabama, from fourth grade up to his 1944 departure for the war as a bombardier with the Army Air Corps. Silas, a white boy from a comfortably middle-class, Presbyterian family, is a marbles champion; he also has a figurative Jar of Marbles (the novel's central, albeit unconvincing, image), into which go those people whose lives seem entwined with his own. There is sweet blond Sylvia, the reverend's daughter who gives Silas his first kiss—in a chinaberry tree; his tender-hearted friend Shelly, the judge's son, a math whiz; and his other best friend Blue, the black yardboy (``he was my black poem, and I was the white paper he scribbled on''). The most outlandish ``marble'' is Zulu, a mulatto midget who is a circus performer and flimflam artist; after Zulu has conned the boys out of a hundred dollars, the Sheriff just beams and makes the midget his deputy. Similarly, when Silas steals his Uncle George's De Havilland to go joyriding, he escapes punishment from his uncle and the Sheriff, mellowed out on a bottle of Old Raven. Stroud pulls all his punches this way, as he projects an extraordinarily benign world; the strain becomes evident later on, as Sylvia has an unwanted pregnancy and abortion and Shelly, after being rejected by the military, commits suicide. The joys and terrors of childhood/adolescence dissolve in a kind of aw-shucks facetiousness: an unsatisfying debut.

Pub Date: Oct. 1, 1991

ISBN: 0-15-157055-8

Page Count: 224

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 1991

Categories:

GENERAL FICTION

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SUMMER ISLAND

by Kristin Hannah ‧ RELEASE DATE: March 1, 2001

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

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Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

Categories:

GENERAL FICTION

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LAST ORDERS

by Graham Swift ‧ RELEASE DATE: April 5, 1996

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Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.