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THE LYRICIST

A callow but diverting piece of fluff.

An ardent hunk pursues a skittish news-diva across three continents in this frothy romance.

Cable-news foreign correspondent Paige La Reine is, she modestly allows, “gorgeous, divine, flawless” and “stunning,” but so consumed by her career that true love eludes her. She clearly needs an intrepid man to breach her defenses, someone like Dylan Fletcher, a tall, rich, blue-eyed stud who looks great bare-chested. Paige first encounters Dylan as an anonymous ogler in the south of France; later, when he summons her to London for an interview, she learns he is the celebrated composer of rock musicals. The Q-and-A goes so well—“forcefully his mouth took mine with a passion that sent furious sensations down my spine”—that Dylan follows Paige to Los Angeles and drags her off for a glorious weekend at his ocean-front hideaway. She’s besotted with his sensitive manliness and shirtless guitar-strumming—until he fails to return a phone call with the requisite alacrity, whereupon she dumps him for the heartless bastard he has suddenly revealed himself to be. But Dylan isn’t easily put off; he’s forever popping up at chic restaurants and glamorous parties to smolder at her, forcing her into luxurious penthouses, breaking down hotel-room doors to subject her to brutal lovemaking. Finally she flees to Afghanistan to cover the war—and guess who appears at the head of a Special Forces outfit? Busch tells her yarn with a lightly lascivious tone—“he stared at my body from head to toe, sensually focusing on my breasts”—and a breezy pace. Paige is a vain featherweight—it takes a sojourn in a menacing Afghan village, the novel’s best scene, to briefly dampen her narcissism—while Dylan, an improbable cross between James Bond and Andrew Lloyd Webber, is a stentorian block. (“I thought I’d wait and then corner you when you were tired, hoping that you would not fight my indomitable spirit.”) But why worry about trifles when there’s so much sex and shopping going on?

A callow but diverting piece of fluff.

Pub Date: Aug. 9, 2010

ISBN: 978-0615302423

Page Count: 266

Publisher: N/A

Review Posted Online: Jan. 3, 2011

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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TELL ME

You’ll need your own detective’s notebook to keep tabs on all the characters and connections on display here. Even so,...

A tenacious reporter won’t let personal ties to a decades-old case stop her from finding the truth.

On the advice of her agent, Savannah Sentinel reporter and author Nikki Gillette is looking for fodder for her latest true-crime novel when she realizes that the perfect subject is about to be released from prison. Savannah’s notorious Blondell O’Henry has been locked up for some 20 years for the murder of her oldest daughter and Nikki’s childhood friend, Amity. Now that Blondell’s son Niall has recanted the testimony that put her away all those years ago, it looks as if she’ll be a free woman unless Nikki’s fiance, Detective Pierce Reed, can find a reason to keep her detained. Pierce and Nikki both work to discover what happened years ago at that cabin in the woods, though Pierce bridles at Nikki’s rather unconventional—all right, illegal—research methods. It seems to Nikki that the more she investigates, the more connections she discovers to her own family, beginning with the fact that her Uncle Alex was the original defense attorney on the case. But all of these uncomfortable connections make Nikki still more determined to learn the truth, even if she doesn’t like what that may mean.

You’ll need your own detective’s notebook to keep tabs on all the characters and connections on display here. Even so, Jackson (You Don’t Want to Know, 2012, etc.) shows a mastery of the true-crime thriller formula that will please fans.

Pub Date: June 25, 2013

ISBN: 978-0-7582-5858-8

Page Count: 336

Publisher: Kensington

Review Posted Online: June 8, 2013

Kirkus Reviews Issue: June 15, 2013

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