An engaging story of an immigrant’s journey to growth and maturity.

The Inducements of Brazen Lovers Behind the Mask

Seck’s debut novella presents a young woman’s struggle with unrequited love—and her eventual triumph.

“What can be as horrible as loving someone who doesn’t love you back?” asks young Bijou as this story opens. She left the warm, familiar comforts of her home in Guinea, Conakry, West Africa, where her friends and neighbors were like family, and was thrust into the mysterious, complex world of adolescence in the United States. Bijou’s parents enroll her in Washington I.M., a rigorously academic institution with unwritten rules and a rigid social structure. As a result, Bijou is lonely; her bus driver is one of her only friends. However, she soon falls for the good-looking Gracious, a young man who’s fated to break her heart. Her love for him shocks her and she finds herself defenseless against his charms despite his attachment to his girlfriend—the wealthy, beautiful, and arrogant Bee, the popular students’ ringleader. Bee sizes up her competition and sets out to destroy Bijou by accusing her of theft and turning other students against her. But Bijou remains hopeful despite her isolation, and she soon finds reassurance and comfort in Alex, a fellow student whose love and admiration helps heal the emotional wounds that Gracious inflicted upon her. This coming-of-age tale traces the trajectory of a fragile young woman as she becomes stronger and more confident. Bijou’s voice is raw and convincing as she uses the halting English of a recent immigrant. Her story, while familiar, takes on a new edge as she searches for her own identity while also struggling with culture shock. Her tale of rejection and acceptance is also a story of racial tension and the cruelty of the intolerant. The chapters read like stream-of-consciousness pieces from Bijou’s diary in which she compellingly describes her feelings. The portrayal of her process as she learns to respect herself makes this a rewarding, important read for adolescents everywhere.

An engaging story of an immigrant’s journey to growth and maturity.

Pub Date: May 8, 2014

ISBN: 978-1499005226

Page Count: 74

Publisher: Xlibris

Review Posted Online: July 17, 2015

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While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...


Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.

When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.

Pub Date: April 23, 2013

ISBN: 978-0-312-57721-6

Page Count: 416

Publisher: St. Martin's

Review Posted Online: Feb. 18, 2013

Kirkus Reviews Issue: March 1, 2013

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