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VACCINES

A GRAPHIC HISTORY

From the Medical Breakthroughs series

Clotted with facts, it barely scratches the surface when it comes to immunological details or ethical issues.

Historical background for readers hazy on the whys and wherefores of vaccines.

Polinsky traces the development of vaccines from 16th-century reports of inoculation against the “speckled monster” of smallpox in what is described as merely “Asia” to the release in 2020 of vaccines for Covid-19. The narrative is dense, injected with names, dates, and scientific terms. Unfortunately, it’s already somewhat dated and turns notably skimpy when it comes to describing how the Covid-19 vaccines were developed. More disturbingly, although the author comes down hard on the author of a since-discredited 1998 claim that certain vaccines cause autism, she notes without justification or comment that Lady Montagu and even Jonas Salk tried out vaccines on their own children and that researchers mass-cultured the polio virus in “tissue from human embryos.” Figures, White or light-skinned, stand in static poses uttering wooden declamations (“Daniel Oliver, my boy, you have just received the first vaccine in American history!”). Ginevra cuts a few corners, pairing the writer’s blithe assurances about how safe the treatments are to multiple views of children being stuck, scratched, or bandaged. In one disquieting scene, we see polio victims in iron lungs as bodiless heads. Readers concerned about viral diseases and their treatment (who isn’t these days?) will come away somewhat better informed—but hardly soothed. (This book was reviewed digitally.)

Clotted with facts, it barely scratches the surface when it comes to immunological details or ethical issues. (glossary, multimedia resource list, index) (Informational picture book. 10-12)

Pub Date: Jan. 1, 2022

ISBN: 1-7284-4872-7

Page Count: 32

Publisher: Graphic Universe

Review Posted Online: Oct. 12, 2021

Kirkus Reviews Issue: Nov. 1, 2021

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INSIDE HUMAN BODY

From the Inside... series

This survey of body systems tries too hard for a broad audience, mixing paragraphs of lines like, “Without bones we would just be bags of goop,” printed in slightly larger type, with brief but specific discussions of osteoblasts, myofibrils, peristalsis and like parts and functions. Seven single or double gatefolds allow the many simple, brightly painted illustrations space to range from thumbnail size to forearm-length. Many of the visuals offer inside and outside views of a multicultural cast—of children, by and large, though the sexual organs are shown on headless trunks and the final picture provides a peek inside a pregnant mother. Even if younger readers don’t stumble over the vocabulary while older ones reject the art as babyish, this isn’t going to make the top shelf; information is presented in a scattershot way, the text and pictures don’t consistently correspond—three muscles needed to kick a soccer ball are named but not depicted, for instance, and an entire tongue is labeled “taste bud”—and the closing resource list is both print only and partly adult. (glossary, bibliography, further reading, index) (Nonfiction. 10-12)

Pub Date: Oct. 1, 2010

ISBN: 978-1-4027-7091-3

Page Count: 48

Publisher: Sterling

Review Posted Online: Aug. 17, 2010

Kirkus Reviews Issue: Sept. 1, 2010

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SPACE TOURISM

MACHINES OF THE FUTURE

McMahon’s enthusiasm for his topic may get readers off the ground—but not into orbit. (glossary, index) (Nonfiction. 10-12)

A buoyant but slapped-together look at current and future efforts to get more people into space.

This brief survey includes a quick history of space flight, mentions of and quotes from several astronauts or actual space tourists and enticing glimpses of space hotels, a space elevator and possible tourist destinations on other planets. Unfortunately, this enticing subject is bogged down by incomplete explanations and occasionally misleading claims. Readers will be unenlightened by the author’s non-explanation of zero gravity and perhaps actively confused by the introduction of the term "microgravity." Further, one section implies that Bigelow Aerospace is simply in the space-hotel business (a claim denied on the company’s site) rather than the more complex commercial venture it is. Mora’s bland painted representations of the space shuttle, SpaceShipOne and other craft don’t measure up to photos and commercially produced graphic images easily found elsewhere. Five low-tech projects seek to complement the material, ranging from a doable cardboard centrifuge to a challenging multi-stage balloon rocket and a “space vacation plane” so complex that all the instructions had to be moved to an online site.

McMahon’s enthusiasm for his topic may get readers off the ground—but not into orbit. (glossary, index) (Nonfiction. 10-12)

Pub Date: Aug. 1, 2011

ISBN: 978-1-55453-368-8

Page Count: 40

Publisher: Kids Can

Review Posted Online: June 6, 2011

Kirkus Reviews Issue: June 15, 2011

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