Houston is a fine travel writer, but her characters are cardboard cutouts for every cliché of contemporary uplifting women’s...
Houston’s second novel (Sight Hound, 2005, etc.) combines thinly disguised travel essays with a new age romance as her heroine travels the world with one lover, then more or less settles down for another.
Narrator Pam is a California professor with a very flexible schedule, seemingly unlimited financial resources and an itch for roaming. Over 100 brief chapters follow her to various exotic locations, from Alaska to Bhutan to Patagonia to Tunisia, to name just a few—after a while the places begin to run together—where she gets to know the locals, enjoys the local food and usually has a lively adventure or inner awakening. Sometimes fearless, sometimes scared to death, the narrator (whose identity reads close to the author’s) doesn’t take herself too seriously during these quests, which often include near-death experiences, and she skillfully captures the essence of each place she visits. The descriptions of her plane rides, and aviation near-disasters, are often hilarious. But less humorous are the relationship issues Pam is working out as she approaches 50. She brags annoyingly about her many, many friends, including semi-famous literary ones, although none develop into actual characters—another case of names running together. But Pam’s romantic history is problematic. Her past includes a dead lover she idealizes. Her present, as the book opens, includes Ethan, a womanizing jerk whom women find incredibly desirable despite his lack of a discernable personality. After their drawn out breakup, she goes on a series of snidely described bad dates before she meets Rick, a “highbrow hick” with a Masters in philosophy and religion who makes custom wood flooring for a living. To Pam, he is the perfect mix of redneck and new age cowboy. The hitch is his 8-year-old daughter and his complicated connection to his ex-wife. Can Pam balance her need to explore the world with her desire for intimacy with homebound Rick?
Houston is a fine travel writer, but her characters are cardboard cutouts for every cliché of contemporary uplifting women’s fiction.Pub Date: Feb. 6, 2012
ISBN: 978-0-393-08265-4
Page Count: 320
Publisher: Norton
Review Posted Online: Dec. 18, 2011
Kirkus Reviews Issue: Jan. 1, 2012
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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