Beautiful, moody, sad, and spooky—all at once.
Decades after the tragedy at and closure of gothic Thornhill Institute, a new girl in town is drawn into its story.
The past storyline is told through white, orphaned Mary’s diary entries (dated in the early 1980s); white preteen Ella’s modern, voiceless story unfolds, Wonderstruck-like, in intercut, illustrated, wordless sequences (frames of which occasionally have text, such as newspaper clippings). Selectively mute Mary is a puppet-making, literature-loving outcast at Thornhill, her situation complicated by the return of her chief tormenter and the ringleader of the other girls, back from a failed foster placement. These are Thornhill’s last days, the girls being sent to new placements so the property can be developed. Stoic Mary thinks she just wants to be left alone, until a taste of irresistible friendship turns to cruelty. In the present, lonely Ella is intrigued by Thornhill, especially the girl she sometimes sees beyond the locked walls. She sneaks onto the grounds, finds puppets, and repairs them before returning them, striking up an odd, at-a-distance friendship with the mysterious girl—who, she realizes, is likely the dead girl from the orphanage’s past. The puppets and doll figures take a familiar creepy motif and make it a source of joy and comfort. The striking monochromatic art is atmospheric and emotional in an understated way that gives it more power rather than less. It’s capped by an ambiguous climax and chilling denouement.
Beautiful, moody, sad, and spooky—all at once. (Horror/graphic hybrid. 10-adult)Pub Date: Aug. 29, 2017
ISBN: 978-1-62672-654-3
Page Count: 544
Publisher: Roaring Brook Press
Review Posted Online: June 4, 2017
Kirkus Reviews Issue: June 15, 2017
Longing—for connection, for family, for a voice—roars to life with just a touch of magic.
A young girl bargaining for the health of her grandmother discovers both her family’s past and the strength of her own voice.
For many years, Lily’s Korean grandmother, Halmoni, has shared her Asian wisdom and healing powers with her predominantly White community. When Lily, her sister, Sam—both biracial, Korean and White—and their widowed mom move in with Halmoni to be close with her as she ages, Lily begins to see a magical tiger. What were previously bedtime stories become dangerously prophetic, as Lily begins to piece together fact from fiction. There is no need for prior knowledge of Korean folktales, although a traditional Korean myth propels the story forward. From the tiger, Lily learns that Halmoni has bottled up the hard stories of her past to keep sadness at bay. Lily makes a deal with the tiger to heal her grandmother by releasing those stories. What she comes to realize is that healing doesn’t mean health and that Halmoni is not the only one in need of the power of storytelling. Interesting supporting characters are fully developed but used sparingly to keep the focus on the simple yet suspenseful plot. Keller infuses this tale, which explores both the end of life and coming-of-age, with a sensitive examination of immigration issues and the complexity of home. It is at one and the same time completely American and thoroughly informed by Korean culture.
Longing—for connection, for family, for a voice—roars to life with just a touch of magic. (Fiction. 10-14)Pub Date: Jan. 28, 2020
ISBN: 978-1-5247-1570-0
Page Count: 304
Publisher: Random House
Review Posted Online: Sept. 28, 2019
Kirkus Reviews Issue: Oct. 15, 2019
This stands out for its unusual setting and smooth integration of friendship and family concerns. (Fiction. 10-14)
Sucked into "business" with a crooked classmate, bowling fanatic Lamar Washington makes good money faking his skills, but when a disruptive prank reveals his new friend Billy’s duplicity, he realizes how wrong it was to aim to be “the smoothest baddest dude” in Coffin, Ind.
This refreshing first novel is told in the first person with plenty of snappy dialogue by a smart African-American middle-schooler whose asthma has kept him out of the usual sports and whose older brother, a basketball star, consistently taunts him. Lamar’s new friendship threatens both a longstanding one and a promising new relationship with a girl. Tension mounts as Lamar is drawn further into an unsavory gambling world, realizing that his cheating is wrong but thrilled to have the cash to buy a Bubba Sanders bowling ball. A final, seriously physical fight with his brother leads to climactic arrests. The drab rigidity of Camp Turnaround, where Billy is incarcerated, contrasts with the excitement of the bowling alley Lamar loves. His grounding and community service seem appropriate. His understanding of the consequences of his prank fire alarm, both for his brother and for his basketball-mad small town, comes slowly and realistically, and the solution of his family issues is satisfying.
This stands out for its unusual setting and smooth integration of friendship and family concerns. (Fiction. 10-14)Pub Date: Feb. 22, 2011
ISBN: 978-0-06-199272-8
Page Count: 288
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Jan. 10, 2011
Kirkus Reviews Issue: Jan. 15, 2011
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