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I Punched Myself in the Eye

STORIES OF SELF-SABOTAGE, IMPERFECTION AND PERFECT, AMAZING GRACE

An upbeat, honest celebration of imperfection that makes a compelling case for the power of accepting oneself, warts and all.

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A pleasant, candid collection of autobiographical stories and anecdotes aimed at family-oriented women.

In her second book, Capone (The Little Girl Within, 1992) recounts the major and minor moments of her life in more than 60 brief, nonlinear, and conversational “messays.” Some are serious and heartfelt in tone, while others are silly and comical. Topics range from Capone’s struggles with insomnia, her adoption as a child, her volunteer work with young girls in Guatemala, her maintenance of a stealth chocolate stash, and her occasional small humiliations when auditioning for acting roles. Along the way, she gives readers a sense of the ups and downs of her daily life in Southern California, the challenges and rewards of self-publishing, and her evolving family dynamics. Standout pieces include “The Day the Bread Went Awry,” in which a botched attempt at baking leads to an unexpected kinship with an employee at a local store, and “Parlez-vous Français?,” a cringe- and chuckleworthy episode focusing on the hazards of audition jitters. Messages of faith sprinkled throughout will appeal to readers with connections to the Christian tradition, but they’re handled with subtlety, so readers of other persuasions can still enjoy the work. In “Even Babies!,” for example, she expresses her concern about being “a deterrent to someone coming to faith….I don’t want to clobber anyone.” A handful of stories seem somewhat underdeveloped, hinting at larger lessons or themes that never quite emerge, as in “City of Gold Lamé and Angels,” a tale of a trip through Los Angeles. On the whole, though, Capone’s gregarious, approachable voice allows her to deftly handle a broad variety of subjects. Rather than dwelling on misery and mishaps, the collection calls attention to the glimmers of hope and humor that lie in life’s challenging moments.

An upbeat, honest celebration of imperfection that makes a compelling case for the power of accepting oneself, warts and all.

Pub Date: Dec. 13, 2015

ISBN: 978-1-5191-0210-2

Page Count: 208

Publisher: CreateSpace

Review Posted Online: Feb. 23, 2016

Kirkus Reviews Issue: April 15, 2016

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MASTERY

Readers unfamiliar with the anecdotal material Greene presents may find interesting avenues to pursue, but they should...

Greene (The 33 Strategies of War, 2007, etc.) believes that genius can be learned if we pay attention and reject social conformity.

The author suggests that our emergence as a species with stereoscopic, frontal vision and sophisticated hand-eye coordination gave us an advantage over earlier humans and primates because it allowed us to contemplate a situation and ponder alternatives for action. This, along with the advantages conferred by mirror neurons, which allow us to intuit what others may be thinking, contributed to our ability to learn, pass on inventions to future generations and improve our problem-solving ability. Throughout most of human history, we were hunter-gatherers, and our brains are engineered accordingly. The author has a jaundiced view of our modern technological society, which, he writes, encourages quick, rash judgments. We fail to spend the time needed to develop thorough mastery of a subject. Greene writes that every human is “born unique,” with specific potential that we can develop if we listen to our inner voice. He offers many interesting but tendentious examples to illustrate his theory, including Einstein, Darwin, Mozart and Temple Grandin. In the case of Darwin, Greene ignores the formative intellectual influences that shaped his thought, including the discovery of geological evolution with which he was familiar before his famous voyage. The author uses Grandin's struggle to overcome autistic social handicaps as a model for the necessity for everyone to create a deceptive social mask.

Readers unfamiliar with the anecdotal material Greene presents may find interesting avenues to pursue, but they should beware of the author's quirky, sometimes misleading brush-stroke characterizations.

Pub Date: Nov. 13, 2012

ISBN: 978-0-670-02496-4

Page Count: 320

Publisher: Viking

Review Posted Online: Sept. 12, 2012

Kirkus Reviews Issue: Oct. 1, 2012

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BRAVE ENOUGH

These platitudes need perspective; better to buy the books they came from.

A lightweight collection of self-help snippets from the bestselling author.

What makes a quote a quote? Does it have to be quoted by someone other than the original author? Apparently not, if we take Strayed’s collection of truisms as an example. The well-known memoirist (Wild), novelist (Torch), and radio-show host (“Dear Sugar”) pulls lines from her previous pages and delivers them one at a time in this small, gift-sized book. No excerpt exceeds one page in length, and some are only one line long. Strayed doesn’t reference the books she’s drawing from, so the quotes stand without context and are strung together without apparent attention to structure or narrative flow. Thus, we move back and forth from first-person tales from the Pacific Crest Trail to conversational tidbits to meditations on grief. Some are astoundingly simple, such as Strayed’s declaration that “Love is the feeling we have for those we care deeply about and hold in high regard.” Others call on the author’s unique observations—people who regret what they haven’t done, she writes, end up “mingy, addled, shrink-wrapped versions” of themselves—and offer a reward for wading through obvious advice like “Trust your gut.” Other quotes sound familiar—not necessarily because you’ve read Strayed’s other work, but likely due to the influence of other authors on her writing. When she writes about blooming into your own authenticity, for instance, one is immediately reminded of Anaïs Nin: "And the day came when the risk to remain tight in a bud was more painful than the risk it took to blossom.” Strayed’s true blossoming happens in her longer works; while this collection might brighten someone’s day—and is sure to sell plenty of copies during the holidays—it’s no substitute for the real thing.

These platitudes need perspective; better to buy the books they came from.

Pub Date: Nov. 1, 2015

ISBN: 978-1-101-946909

Page Count: 160

Publisher: Knopf

Review Posted Online: Aug. 15, 2015

Kirkus Reviews Issue: Sept. 1, 2015

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