The weak plot doesn’t really bear up under its instructional load, but there’s enough farce to keep the lessons well-greased.
Caving to the demands of his pesky little sister Maggie, aspiring fictioneer Josh’s second fantasy story features a world with mermaids and unicorns. Sort of.
The devil's in the details, though, and just as in the series opener (Escape From Planet Yastol, 2011) the two find themselves stranded in an actual, newly made reality based on Josh's tale but inhabited by toothy, twisted versions of the residents he has inexpertly envisioned. Furthermore, during the ensuing series of captures and escapes, Josh and Maggie are joined by no fewer than five different kinds of creatures, each of whom turns out to be a youngest child afflicted with bossy parents and scornful older sibs. The plot is no more than a set of loosely connected set pieces, but readers may find the burgeoning corps of somehow–familiar-sounding furred, scaled, winged, finny and even stone whiners amusing, and budding writers may take both Service’s indirect advice about verbal precision and her embedded examples of Theme, Composition, Character Development and Revision to heart. Gorman’s angular figures of grotesque aliens and their frantic-looking creator in various predicaments goose up the comic overtones.
The weak plot doesn’t really bear up under its instructional load, but there’s enough farce to keep the lessons well-greased. (Science fiction. 8-12)Pub Date: April 1, 2012
ISBN: 978-0-7613-7919-5
Page Count: 120
Publisher: Darby Creek
Review Posted Online: Jan. 3, 2012
Kirkus Reviews Issue: Jan. 15, 2012
An enthralling fantasy debut exploring exploitation by those in power.
Will 12-year-old Nura be able to outsmart the trickster jinn and save herself and her friends?
Nura lives in the fictional Pakistani town of Meerabagh, where she has worked mining mica to help support her family of five—her mother, herself, and her three younger siblings—since her father’s death. In the mines she has the company of her best friend, Faisal, who is teased by other kids for his stutter, and she enjoys small pleasures like splurging on gulab jamun. Although Maa wants Nura to stop working and attend school, she has no interest in classroom learning and hopes to save up to send her younger siblings to school instead so they can break the family’s cycle of poverty. Following a mining accident in which Faisal and others are lost in the rubble, Nura goes to the rescue. In her quest, she is plunged into the magical, glittering jinn realm, where nothing is as it seems. The author seamlessly weaves into the worldbuilding of the story commentary on real-life problems such as the ravages of child labor and systems that perpetuate inequities. An informative author’s note further explores present-day global cycles of oppression as well as the life-changing power of education. This action-packed story set in a Muslim community moves at a fast pace, with evocative writing that brings the fantasy world to life and lyrical imagery to describe emotions.
An enthralling fantasy debut exploring exploitation by those in power. (Fantasy. 8-12)Pub Date: July 5, 2022
ISBN: 978-0-7595-5795-6
Page Count: 272
Publisher: Jimmy Patterson/Little, Brown
Review Posted Online: April 26, 2022
Kirkus Reviews Issue: May 15, 2022
A vibrant celebration of art’s power to console and heal.
Zora, 12, shares her mother’s artistic gifts, but when grief and guilt lead her to destroy years of drawings, the results are astonishing.
Voom is Zora and her mom’s word for the artistic impulse that bubbles up inside. After disclosing her leukemia diagnosis to Zora and her sister, Frankie, Mom promised the girls she’d beat it. Ten months later, their far sicker mom is hospitalized in Pittsburgh, where the girls share their bus driver grandmother’s basement apartment. Mom continues to be optimistic and avoid acknowledging the possibility of death. Frustrated and needing to hear a realistic prognosis, Zora uses her art to show her mother the truth of how ill she looks. Later that night her mom dies—and Zora’s Voom goes away. When Grandma Wren disappoints Frankie on her seventh birthday, Zora’s guilt-fueled anger erupts. Over Frankie’s protests, Zora scribbles out her drawings until the scribbles fight back, pulling the girls into Pencilvania, a world where each of Zora’s creations lives. Most of her now-animated drawings welcome her—except for one scribbled-out horse who kidnaps Frankie. Guided by a seven-legged horse, the Zoracle (a composite of her early self-portraits), and other charming creations, Zora sets out to rescue Frankie and rediscover the wellspring of creativity that forms her mother’s legacy. Presumed White, the humans are well rounded and believable. Pencilvania’s inhabitants, conceived with humorous, metafictional whimsy, are enlivened with copious, inventive illustrations.
A vibrant celebration of art’s power to console and heal. (Fiction. 8-12)Pub Date: Oct. 5, 2021
ISBN: 978-1-72821-590-7
Page Count: 352
Publisher: Sourcebooks Young Readers
Review Posted Online: Aug. 15, 2021
Kirkus Reviews Issue: Sept. 1, 2021
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
